Tried these with my Charvel JB and '59 and they just sing! These are in my "killer tone" folder! Thanks again.
He's a TOP GUN! Up There with the Best of the Best!
Tried these with my Charvel JB and '59 and they just sing! These are in my "killer tone" folder! Thanks again.
He's a TOP GUN! Up There with the Best of the Best!
hi, wrote on your wall.
Please let me know if there's any problem to use one of these Great profiles for a PU demo video.
thanks
Display MoreHi,
Spending some time lately in profiling all my amps.
This time I took my '71 Marshall Superlead.
I profiled the amp with different gain settings. Also profiled the amp in combination of some pedals (Mad professor Underdrive, Klon KTR, Fulltone OCD and J Rockett Rockaway Archer).
Hope you have fun with these profiles.
It's time to edit all my band-presets to use my own profiles instead of the commercial ones I bought.
Which are actually very good.
Do you still know the settings of the amp during profiling?
Could these be turned into Liquid Profiles?
Do you still know the settings of the amp during profiling?
Could these be turned into Liquid Profiles?
They are noted in amp Comment! The question is: which actual amp model is better to apply if channels are Linked? Bright or normal ?
The question is: which actual amp model is better to apply if channels are Linked? Bright or normal ?
your ears are you best friends
Jack Daniel's is my only best fiend !
No serously.. there's one liquid model for bright input and one orher for normal but what if (as often happens ) both channels are linked ?
If it sounds good ... it sounds Good ! Full Stop ! And I Agreeeeee!
But .. You know.. if You've never had a 71 SL to test / compare with ( That's Unfortunately my case) I guess it's a basic question To ask.. isn't it?
They are noted in amp Comment! The question is: which actual amp model is better to apply if channels are Linked? Bright or normal ?
good question.
My understanding from an interview with ckemper is, you take the bright channel and use the bright cap intensity to adjust until it fits.
My understanding from an interview with ckemper is, you take the bright channel and use the bright cap intensity to adjust until it fits.
That makes a lot of sense - the bright channel of an amp has some upper treble bypassing the volume control and going straight on through the audio path unattenuated. So, when the channels are blended as in the jumper situation, you have a mix of a signal without the added treble and the treble boosted signal. Just balancing the level of bright cap signal with pot achieves more or less the same thing. The Kemper solution is a virtual instance of the "pot on the bright cap" idea.
This '71 superlead sounds really nice!
Thank you!