Okay,
ich würde den Kopfhörerausgang gerne nutzen, weil der extrem gut klingt.
Bis jetzt ist mir das Signal etwas zu direkt/harsch und etwas zu verfremdet.
Das liegt wahrscheinlich daran, dass 'Space' am Kopfhörerausgang aktiviert ist - Manual, Seite 141
Hallo zusammen,
Ein altes Thema, aber ich bräuchte mal eure Experten Hilfe.
Wir nutzen in der Band ein hochwertiges In Ear System von shure. Ich würde gerne den Kopfhörer Ausgang vom Stage/Rack dafür nutzen. Welche Einstellungen muss ich dafür vornehmen? Und was für Kabel brauche ich Mono/Stereo?
Vom Kemper aus, geht es Stereo in ein Soundcraft UI24.
Vielen Dank schon mal für eure Unterstützung.
Ich schicke einfach mein Main Out Signal zum FOH und bekomme dies als mein IEM Signal zurück.
Meiner Meinung nach braucht man keine getrennten Signale für FOH und (IE)Monitor
Läuft seit 3+ Jahren ohne Probleme 
many, if not all, OD or distortion pedal designs use quite a lot of pre-shaping of the input signal before the distortion stage.
This way low frequencies which tend to be rather useless and take up a lot of headroom are attenuated, for example.
Concentrating the energy of a guitar signal in the mid/lo-mid area where it actually matters makes a lot of sense.
Then there is the post distortion EQ, again altering the signal in a way that the designer deemed as useful.
in all cases reported so far, it was always the guitar's acoustic sound.
record something through transpose and play it back
i've searched google, tried chatgpt and can't figure it out. I thought maybe overdrives weren't supported in level 1 but the level 2 upgrade says, "
Extra Distortion (2): Kemper Drive, Kemper Fuzz" implying that there are overdrives/distortions available in level 1
scroll down to: "Included Effect Types and Presets" -> Distortion and Boost
Loading | Kemper Amps
Mein Main Out geht zum FOH, mein InEar Mix mische ich mir per Tablet selber - das PA und InEar Signal ist identisch und ich hatte damit nie Probleme, ganz im Gegenteil.
Endlich ein gleichbleibender Sound Abend für Abend und Bewegungsfreiheit ohne Veränderungen im Klang.
InEar Mix macht man einmal (dauert vielleicht etwas) und das war's dann.
Hi,
sorry for a short OT, but which Diablo do you play? I have two light scotch Diablos and absolutely love them! Great guitars for insanely low money on the second Hand market.
A Diablo Custom.
I was working for Warwick/Framus when the Light Scotch edition was developed - great guitars! 
is that other session on a different DAW?
why not just export the session, open it on the other machine?
All profiles tend to need some tweaking to match your specific guitar and the sound you are after
just to offer another opinion - for me this is not the case.
I alternate between quite a few guitars live, Framus Diablo, Fender Telecaster, Italia Speedster and a G&L Legacy.
What I have done is to adjust or change and adjust all pickups in these guitars to suit them in this position.
I still have to increase the DIstortion Sense on the Italia (Alumitone pickup) since it is lower output than the other pickups I use and it can go only so far towards the strings
My point being, I have all my main guitars at a point were I am happy with the way each and every one of them sounds in each position (a few in-between positions are 'special' but I don't use these anyway) - I can go from the Tele to any other guitar in the middle of a set (or in case of a broken string - in the middle of a song) and continue without the necessity of any sound changes or an alternate set of rigs for this particular guitar.
Playing with in-Ears I hear myself quite detailed and I know that these mid-show guitar swaps are not a problem.
tldr
IMHO if your guitars sound the way you like (pickups & setup) you can go from one to another and while the PROFILER will of course reflect the changes in tone/pickups - that's just something it does very well, the result can and should be quite musical, as in 'sure, a bit different, but I like it' which let's you continue playing/performing instead of worrying.
I suggest you contact Kemper support
Every time I look for profiles of Eddies Hagar years, I always am referred to the brown sound of the Roth years. I can't believe no one has gathered a profile to sound like the wet dry wet on the Carnal Knowledge album. If anyone knows of one, please send a link.
manual, page 134
"When Source is set to “DLY/REV wet” for a stereo output, it will deliver only the wet stereo effect signal of delay and reverb effects from the DLY and REV modules. If you set the source of the DIRECT OUTPUT to “Stack” or “Mod….”, which is the complementary dry signal, then you can send your amp signal to the front mixing desk through three cables. For PROFILER Stage, you could use the SEND 1 instead of the DIRECT OUTPUT for this application. Your front mixer can now mix the effect signal to the dry signal, according to the actual room ambience of the venue. This method is called the wet/dry/wet setup. Your mixer will love you for that! And, you can still use the MONITOR OUTPUT separately from all of this for your individual stage sound!"
I've just been using the transpose stomp first in the chain, results aren't great, is this the most effective way to do this?
RIG settings -> Transpose
no need to use up a slot.
As with all pitch-shifting, clean strings and a good setup make quite a difference.
I'm using this 7,5m cable
what happens when you try a more standard length cable?
public service announcement:
posts have been deleted, points have been 'awarded'
posting OT nonsense is not the way to go
The factory rig '2011 Mars Golub Crch' works very well in a band/mix context without any further EQ-ing from the FOW guy. (set the Hi Cut as described below)
You can use this rig as a reference to adjust whatever rig your planning to use.
Usually in a band contest two things are the main issues of a guitar sound:
- way too much boomy bass that gets in the way of the actual bass and muddies the whole mix (use the global Hi Cut Output Filter parameter to address this)
- not bright enough, cymbals etc will mask some of the higher frequency content, rule of thumb: if it sounds nice and balanced on it's own, it's going to have issues in a band context
Sorry should have known my sense of humor would get me in trouble. Thanks for the tip
sorry, humor doesn't always translate very well in a written form. I know my post was kind of a harsh statement.
In hindsight it seems all perfectly innocent, but the thing is - you never know (well, at least with newer members).
I hope you'll enjoy your Stage, the recommendations you got from this thread and this forum in general
and i can start figuring out if you know what your talking about.
that tone is a bit too condescending for this forum.
members here are expected to be respectful and polite.
I guess that comes from the interaction between the tube power amp and the speaker.
this interaction is already part of a PROFILE if it was made with a tube power amp and a 'real' cabinet (as it not a loadbox), as recommended in the manual.
from the factory content:
- 1971 Mars Golub Crch
- 2011 More Gain AC20 <- even though this is Voxy-territory, with a good brigde humbucker, it does very convincing AC/DC etc.
with these two you can already play whole shows, especially because they work so well in a mix.
it is so sensitive that is almost on/off.
with 0 'Touch Attack' this is kinda expected - making the attack phase longer (increasing the value) gives you more of a sweep
