using the internal looper is certainly a good way to go about this, but there is always the issue that the rig has no chance to influence the player.
a guitarist will always adapt the dynamics, phrasing, style etc. to get to know what the PROFILE can do, what it's good at.
simply feeding a DI into the PROFILER will not have this very valuable feedback.
Posts by DonPetersen
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I put it in the root directory and tried to start it without success.
you say 'root directory' (which would be just in E: ) but the picture shows the .bin the he OS Update folder.
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das habe ich noch nie gehört - teste doch mal die Strecke zum Pult mit einen anderen Signal.
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Yes, I have backed up the files on the USB drive before.
that doesn't really answer either question I'm afraid
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the USB device is recognized, but no firmware can be located.
did you unzip the firmware file?
did you place it in the root directory? -
• No performances, only rigs
it's actually all Performance Mode
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I still maintain there are 2 main categories of player and how we approach guitar ( it is of course a scale rather than hard categories)...
At one end is the person who knows nothing about what the controls do and just wants a great sound as quickly as possible. That person will often compromise to minimise fiddling. At the other end of the scale is the person who is constantly searching for their sound, endlessly trying different combinations etc and wanting to know what low pass filter frequency is best.
there are plenty of people that know quite a bit about amps, like to read manuals and familiarize themselves with the parameters and idiosyncrasies of their gear etc - and still have no interest in endlessly fiddling with controls to get a good sound.
In a typical paid recording situation you're barely given any amount of time to come up with a good sound.
For some people it's seemingly easier to keep searching and fiddling than to address what's really important: a decently set-up guitar and your own ability.
A great solution like the PROFILER will allow you to get a great sound instantly, but also react to every little thing you do phrasing-wise, with pickup selection and so on. -
That’s true, it only matters if the goal is to be as close to the original as possible.
countless tube amps were modded for about half a century to get a better tone out of them than the original was capable of.
if it sounds good, it is good.
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people keep posting commercial third party content outside the commercial subforums, forcing me to move these threads there
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the Stereo Widener in the EQ section already does something like that with just one CABINET
Stereo WidenerNot an equalizer in the traditional sense, but it does use equalization to work its magic. By emphasizing certain frequencies on one stereo channel, while attenuating them on the other, it creates a subtle stereo effect. This is done symmetrically, so that when the signal is summed to mono, the effect is completely canceled out with no coloration to the sound. The Stereo Widener works well with either mono or stereo source signals. Use “Intensity” to control the impact to the sound. At higher values of “Intensity” you can actually drive the sound out of phase; this is not a problem, however, as the sound still stays mono compatible. With “Tune”, you can tweak the effect to your taste by shifting the focus towards lower or higher frequencies.
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If I record at home, different Ir's work for me. But I notice for live use I get the best results using the same IR across all of my patches. Seems that the sounds are more in the same range. Even the same IR on clean or drive sounds.
Anyone else does/notice this?
I don't go quite as far as that, but I do use only a handful of Rigs for dozens of songs over a three hour show.
It's just more consistent that way and I can do quite a bit with the pickup selection and picking dynamics. -
But really, I don't understand why people feel the need to tell others that their idea is 'bad, or make some snarky comment. Just don't comment and move on.that's not how forums work.
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2. It’s only this guitar, not having the issue on any others
A compressor can indeed make noise issues worse, but this ^^^ pretty much means the PROFILER is not the issue.
Make sure there are not loose parts (pickup/pickguard/bridge screws etc.) and shioelding might be a good idea nonetheless.
There are quite a few things that can be done. -
Thank you Timo,
Currently, I am changing my setup and I need the midi output of the Kemper. I just want the rigs to send the right datas to the system. There are obviously not the same as in my old setup.Well, I just have to get to work.
But thanks for coming back, Timo
quite a few outboard processors have a MIDI mapping feature, that let's you map an incoming program change to any internal program number.
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Hello Guys,
Is there a way to modify the control changes sended by each rig of the kemper rack in the manager ?
Thanks for your Help
Stef
do you mean Program Changes?
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Ok guys, I need a logic check. Currently I have Hi and Low cut filters set in the Output section of my Rack ... this appears to apply to all rigs and performances (as I had intended). The high and low cuts make the FOH sound much more "natural" (they are set at ~250hz and ~9600hz).
I've just bought a Sire P5R P-bass and am setting up a performance just for a few bass profiles ... the issue is my high and low cut output settings also affect the bass performances, which is a bad thing at the settings I'm using for guitar. So, reading the manual, it seems I should set the high and low cut settings in the Cabinet section and not the Output section so that the high/low cut can be set for each Rig in the performances. If accurate, I can set different high/low cut filters for the guitar rigs vs the bass rigs.
Do I have that correct?
Thanks in advance,
Greg
I'm all for a healthy highpass on guitar, but 250Hz seems awfully high.
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I would like the ability for a block button to alternate between two states rather than merely on off.
So let’s say you have an od in block one. Rather than on/off it could be low gain/hi gain.
Or a delay that’s short and dry/long and wet.
The block is always on but you can program two states rather than having to use two blocks.sounds like Morphing to me
manual page 172 -
I’m confused by the complication of some of these setups. I run the xlr output to the mixer. The monitor output to my FR12.
Then my in ears get an aux send from the mixer.
SimpleI hear ya.
I run XLR to FOH and get a IEM mix I control with a tablet. It's set and forget -
You don’t think the upgrade is significant and relevant given the choice to make similar upgrades to the Player payable options? I think it describes the level of competition in the industry and current state of play. Certainly worthy of forum discussions. Hardly a press release.
the post I deleted was a direct copy & paste of the press release
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FX1 and FX2 knob assignments are fixed within the effect type to make their behaviour predictable across rigs.
