Back in the day we adjusted our tape delay units as we played, changing delay times, feedback, making all kinds of fun sounds as part of the performance.
you could assign Delay Time to Morph and use an expression pedal to do this in real-time while keeping both hands on the guitar.
Really ?
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interesting, since I can't get it to change color with the SD Hot Rails, which can easily achieve this with Stage, Rack and Head.
Clean Sense is always at '0' on my machines.
To my knowledge, many Kemper users prefer it off, but I think it's amazing for an AITR feel.
I know a lot of players that love Pure Cab.
"many Kemper users prefer it off" is one of those 'vocal minority' (internet) cases, mostly from people that don't really understand the parameter and it's brilliance. 
If you guys want to continue the pickup discussion, please open a new thread in 'Other Gear'
thank you 
Is the volume control on the fuzz also non-linear?
Volume is just volume.
Most controls in audio have a exponential taper as opposed to a linear taper, so they sound even - but that's not what I meant.
The amount of distortion (or fuzz) alters the perception of loudness. It limits peaks and boosts the signal overall making the leveling a bit tricky.
You can measure it using integrated LUFS but even that is a crutch - nothing beats simply using your ears.
It is generally advised to let the PROFILER go through it's power-down procedure.
I think for now the next step is to switch to passives for a while, they’re far easier to deal with for any sort of headphone play. I really liked the warmth of your SD Rails in that clip. Thankfully I have a sick new Jackson Soloist on the way with a JB/59 set.
I have a JB in my Framus Diablo Custom, and while it is a great pickup by itself, I did exchange the AlNiCo 5 magnet with an AlNiCo 8 and never looked back. A bit more power, a bit more of everything really - love it.
Lately I’ve been gravitating more towards more pleasant listening as opposed to precise tones. But I’ve also been in a bit of a recording rut.
if you have a good pair of headphones, it's worth checking out the PROFILER with them. The SPACE effect on the headphone output (default is at '3') is very pleasant.
I get that - it's the difference between pure enjoyment and a more sensible recorded/mix friendly tone.
For me, the monitoring plays a huge part. I really like and trust my (older) ADAM P11a monitors - but for fun I like to add a Kemper Kabinet behind me, to get the best of both worlds together.
What is your monitoring setup?
I seldom have enough preamp gain on tap, which I realize is dependent on the amount the profiler used at the time of the profiling.
not really.
The GAIN parameter value is automatically determined by the PROFILER during the profiling process and in non-Liquid Profiles (Kemper Generic) the GAIN parameter has a larger range than traditional amps, which is what I struggle with to understand - in my experience no-one has accused the PROFILER to have too little gain on tap so far.
It might be a comfort thing, but honestly someone with your technique & right hand (as is apparent in your clip, even - or more precisely - especially since it was something you 'just did') could get away with even less gain - which translates to better transients & clearer mixes.
Do you have an overdrive laying around ? If yes, just boost the Kempern (avoid clipping the input tough) like you would boost an amp to crank it and see if you like it better.
or use the Green Scream in the time-honored metal setting: low Drive, Tone to taste and use Volume hit the following amp harder, thereby producing more distortion
Okay cool, this is actually very helpful, thanks for throwing that together for me.
Correct me if you hear something different, but these sound close enough to tell me there isn't much of an issue going on. I'll have to keep working with the Kemper and see if I can make it fit my needs a little better.
glad I could help.
I don't hear a major difference gain wise in these clips, so I don't think there is an issue, it's just how the profiled amp sounded.
In fact I think your recording is quite good, it's a cool riff, the palm mutes are tight and everything sounds controlled, but powerful.
If I had to work with a track like that (doubled and tripled) I'd be quite happy.
Where does your discontent come from? Does the sound not compare well to what your amp(s) sound like?
Are you experienced with the difference between 'in the room' and 'mid'ed' guitar sound?
Do you compare this to an actual production sound from a record?
I'm still unsure how to use the input LED if it's just supposed to be green all the time.
that was my bad - I play the Rack and Stage all the time and didn't realize that the Player has an Input LED, but apparently not the green/yellow/red LED of the bigger models
Gain is a non-linear effect, changing the perceived loudness - all you can do is to use your ears.
same Rig, no edits - SD Hot Rails
I won't even bother trying passive pickups.
maybe you should - just in case.
The Kemper cannot "chug" very well unless you crank everything, if that makes sense.
considering how many metal bands are and have been touring and recording with the PROFILER for over a decade, this is doubtful.
have you tried re-amping a DI-track over USB?
I would have thought the best option is Phaser/Flanger One Way.
and you are right of course.
my way is more complicated, though
if you want to create a static comb-filter, you can use a simple Single Delay with a very short delay time (start at 0.0 and increase very slowly), a fairly high feedback and a 50:50 mix.
These notches in the frequency spectrum will however not sound warm, punchy or add a boost, for which I would use the Lead Booster for example.
Shoot, alright will do.
don't worry - they're friendly
