I cut my bass teeth on a '73 Precision during my teens.
The problem for me was that I couldn't pull the tones I was hearing on all my favourite fusion records. I couldn't play the fusion (and still can't), but that's besides the point. There was that growling, deep tone I just couldn't extract from the Precision. Then there was that fat, silky-highed, semi-compressed slap-and-pop sound I heard from Gibson basses that I so desired but had no hope of achieving on the P bass. Whenever I played someone else's Warwick, Gibson or whatever I slapped an order of magnitude better 'cause of the sound.
Anyway, no sooner had I sold the P bass and bought a crappy, thin-and-bright Ibanez (all I could afford after letting the Fender go for a steal), than I heard Quincy Jones' Roots soundtrack. I bought the cassette cheaply, and oh man, there was the P bass in all its glory, it's semi-dead-but-distinct woody tone fitting the mood, production and genres perfectly. Only then did I appreciate the model.
These days, I'd still take a Jazz over a Precision any day, 'cause at least that deep, growling attitude can be extracted from it, which IMHO is more-suited to most modern styles, but my preference has been Music Man Stingray for quite some time. I think it must be the sheer power and fidelity of the PU's on these things - seriously-awesome.
All this said, my response was prompted by the fact that you've got a J-Bass bridge PU on that thing, db. That, IMHO, should in theory give you the best of both Fender worlds. Fantastic!