I want a cave-in-the-forest reverb so I can record black metal.
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Is the parody show going on?
I assume it would help if you specify what kind of reverb you mean by glassverb. I didn't find any explanation what this could be...you don't mean the glaceverb plugin to be implemented, do you?
A very cold reverb (like an ice reverb).
Listen to reverbs from the glaceverb plugin, it's exactly like this.
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The shimmer reverb is not too complicated - the KPA have base of it like pitch shifter - the only thing is to add reverberation to it and some feedback control.
this is simple assebler code for fv-1 spin semi :External Content www.youtube.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.Display Spoiler
Code
Display MoreHall reverb w/shimmer ; Jan 2012 ; ; ; Mono input, Stereo output ; POT0: Damping ; POT1: Feedback ; POT2: Decay ; ; by Sweetalk ;MEMORY mem delayl 4096 ; Pitch Shift mem mem temp1 1 mem iap1 156 ; Reverb mem declarations mem iap2 223 mem iap3 332 mem iap4 448 mem ap1 1251 mem ap1b 1751 mem ap2 1443 mem ap2b 1343 mem ap3 1582 mem ap3b 1981 mem ap4 1274 mem ap4b 1382 mem del1 3559 mem del2 2945 mem del3 3976 mem del4 4445 ;REGISTERS equ revin reg0 ;Reverb In equ revout reg1 ;Reverb Out equ pitchout reg2 ;Pitch Shift Out. (really it's Reverb->Pitch out) equ LPF reg3 ;LPF reg equ temp reg4 ;Temp register equ hpf1 reg5 ;High pass filters for reverb registers equ hpf2 reg6 equ hpf3 reg7 equ hpf4 reg8 equ lpf1 reg9 ;Low pass filters for reverb registers equ lpf2 reg10 equ lpf3 reg11 equ lpf4 reg12 equ rt reg13 ;Reverb Time register equ iapout reg14 ;CONSTANTS equ LPFF 0.3 ;LPF coefficent for LPF after pitch shifting equ LPFSH -0.5 ;Shelving coefficent for LPF -6dB. equ kfh 0.01 equ kfl 0.4 equ kiap 0.5 equ klap 0.6 ;PITCH SHIFTER RAMP0 INIT skp run, START wldr 0, 16384, 4096 ;Init RAMP0 for +1 octave pitch shifting START: ;Prepare POT2 for Decay rdax pot2,1 sof 0.65,0.3 ;Scale by 0.65 and add 0.3 wrax rt,0 ;rt ranges 0.3 to 0.95 ;REVERB rdax revin, 1 ;Read reverb in sof 0.25, 0 ; rda iap1#, kiap wrap iap1, -kiap rda iap2#, kiap wrap iap2, -kiap rda iap3#, kiap wrap iap3, -kiap rda iap4#, kiap wrap iap4, -kiap wrax iapout, 0 ;write to register for ring injection ;now do reverb ring, use temp as reg for filtering: ;aps into delay1: rda del4#, 1 ;read previous delay mulx rt ;multiply by reverb time coefficient rdax iapout, 1 ;read left input from input allpass filter bank rda ap1#, klap ;do an allpass filter wrap ap1, -klap rda ap1b#, klap ;do second all pass filter wrap ap1b, -klap wrax temp, 1 ;write to temp, keep in acc rdfx lpf1, kfl ;low pass filter wrlx lpf1, -1 rdfx hpf1, kfh ;high pass filter wrhx hpf1, -1 rdax temp, -1 mulx pot0 ;crossfade between filter and no filter rdax temp, 1 wra del1, 0 ;write to next delay, clear accumulator ;aps into delay2: rda del1#, 1 mulx rt rda ap2#, klap wrap ap2, -klap rda ap2b#, klap wrap ap2b, -klap wrax temp, 1 rdfx lpf2, kfl wrlx lpf2, -1 rdfx hpf2, kfh wrhx hpf2, -1 rdax temp, -1 mulx pot0 rdax temp, 1 wra del2, 0 ;aps into delay3: rda del2#, 1 mulx rt rdax iapout, 1 rda ap3#, klap wrap ap3, -klap rda ap3b#, klap wrap ap3b, -klap wrax temp, 1 rdfx lpf3, kfl wrlx lpf3, -1 rdfx hpf3, kfh wrhx hpf3, -1 rdax temp, -1 mulx pot0 rdax temp, 1 wra del3, 0 ;aps into delay4: rda del3#, 1.0 mulx rt rda ap4#, klap wrap ap4, -klap rda ap4b#, klap wrap ap4b, -klap wrax temp, 1 rdfx lpf4, kfl wrlx lpf4, -1 rdfx hpf4, kfh wrhx hpf4, -1 rdax temp, -1 mulx pot0 rdax temp, 1 wra del4, 0 ;take outputs as taps from reverb ring: rda del1, 0.8 rda del2, 0.8 rda del3+2876, 1.5 rda del1+2093, 1.1 rda del4+1234, 1.1 wrax revout, 1 ;Write to revout register, keep in ACC for pitch shifting ;PITCH SHIFT +1 OCTAVE cho rda, RMP0, REG|COMPC, delayl cho rda, RMP0, , delayl+1 wra temp1, 0 cho rda, RMP0, RPTR2|COMPC, delayl cho rda, RMP0, RPTR2, delayl+1 cho sof, RMP0, NA|COMPC, 0 cho rda, RMP0, NA, temp1 ;LPF to smooth out a little of the high end rdfx LPF, LPFF ;Freq coef wrhx LPF, LPFSH ;Shelving coef. wrax pitchout, 1 ;Write the pitch + reverb out on pitchout and keep it in acc. ACC = Pitch + Reverb mulx pot1 ;Multily by Feedback pot (POT2). ACC = (Pitch + Reverb) * POT2 rdax adcl, 1 ;Read ADCL and add to ACC. ACC = ((Pitch + Reverb) * POT2) + Clean wrax revin, 0 ;Write the mix from the ACC (feedback and clean signal) on the revin and clear the ACC. ;Making mono output rdax revout, 1 ;Read output from Reverb (revout) and write it to ACC. wrax dacl,1 ;Write the ACC on DACL and keep it. wrax dacr,0 ;Write the Acc on DACR and clear it. ;set up lfo, 1Hz to 2Hz, +/-100 samples, for smearing loop all passes: skp run, 2 wlds sin0, 30, 50 wlds sin1, 41, 50 ;smear 4 allpass filters in reverb ring: cho rda, sin0, reg|compc, ap1+50 ;sin0 cho rda, sin0, 0, ap1+51 wra ap1+100, 0 cho rda, sin0, cos|compc, ap2+50 ;cos0 cho rda, sin0, cos, ap2+51 wra ap2+100, 0 cho rda, sin1, reg|compc, ap3+50 ;sin1 cho rda, sin1, 0, ap3+51 wra ap3+100, 0 cho rda, sin1, cos|compc, ap4+50 ;cos1 cho rda, sin1, cos, ap4+51 wra ap4+100, 0
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Here are some new ones to experiment with:
These are clean guitar with Shimmer just on the Reverb or clean guitar with Shimmer just on the Delay/Reverb
They were made with traditional profiles, but saved with v2.8 firmware.
As soon as we get official word from Kemper that it is OK to put newer than 2.7.3 on the RE, I will upload them (or better versions of them). -
+1 for shimmer (particular reverb) and octoverb. (and of course spring reverb.)
@mr ck: what about a partnership with line6 to use their m5/m9/m13 fx algorythms as an paid update for the profiler? (or eventide, or tc electronics)
the kemper ist fine, but i have to use my m13 all the time, because even the delays in the kemper are not flexible enought for shogaze and postrock. - would love to have an all in one solution.
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After 10 years with my TC G-Force who make my signature sound, I still use it for dely and reverb. I like the Kemper very much, but the dely and reverb is not in the class of TC or Eventide
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After 10 years with my TC G-Force who make my signature sound, I still use it for dely and reverb. I like the Kemper very much, but the dely and reverb is not in the class of TC or Eventide
If your signature sound includes the G-Force, there's no reason to stop using it. It was one of the most sophisticated guitar effects devices ever created. The G-Force, like other older high-end processors, had more adjustment parameters than more recently designed high-end processors.
Most people do not do "deep editing" of FX, so manufacturers offer other features people will use, instead. Deep FX are not needed in hardware devices in general, because people use Plugins when recording (and they don;t necessarily have deep editing, either).
Many years ago, I replaced my G-Force with the G-System. I was surprised that the G-System had fewer adjustment parameters for reverb and delay (the two FX that made TCElectronic famous). I could not just copy the parameters from G-Force to G-System - I had to simplify the effects set up, to match the available parameters.
TC has stopped making the G-Force. The G-System looks like it is next to be discontinued - there have been no updates for years. The Nova is simpler, and TC appears to be having much more success selling stomp boxes.
As far as the Kemper goes - I'm not having any problems getting FX that sound good to me with the Kemper:)
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What about something between a wet and a dry verb?
A muggy verb?
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Here are some new ones to experiment with:
These are clean guitar with Shimmer just on the Reverb or clean guitar with Shimmer just on the Delay/Reverb
They were made with traditional profiles, but saved with v2.8 firmware.
As soon as we get official word from Kemper that it is OK to put newer than 2.7.3 on the RE, I will upload them (or better versions of them).
Your shimmer rigs(like others synth rigs) are superb:)
But what i mean to have fx reverb with shimmer - because you have to use minimum 2 fx to have a shimmer. This will free up some fx slot. -
Thanks! And, I understand you would like it in one slot:)
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Shimmer would be awesome !! something like the strymon big sky !!
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i used the axe fx before the kemper and the only thing i miss are the delays and reverbs on that thing
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I had looked into the new FX8 as a way of getting some of those reverbs and synth type effects, as I'm not having a lot of luck dialing in ambient type sounds on the Kemper. After perusing their FX8 forum, I was put off by the crowd and ended up ordering the Strymon Big Sky. This solved my problem.
With that said - any new reverb or effects in the Kemper would be well appreciated
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+1 for shimmer delay/verb
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+1000 for a shimmer. I currently have a Hardwire Supernatural in the loop of my KPA which is doing the job quite well, but it would be even better to have it in the reverb block and keep the back of my rack case tidier. (plus I could leave the HWSN on the pedalboard permanently :p )
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+1 for a shimmer reverb, possibly with plate option!
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Yes, +1000 on a shimmer reverb! I'd love a bigsky, but don't want to use any external pedals if I can avoid it. Much nicer and easier to just use my Kemper and soon to arrive remote!
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Yes, +1000 on a shimmer reverb! I'd love a bigsky, but don't want to use any external pedals if I can avoid it. Much nicer and easier to just use my Kemper and soon to arrive remote!
I wish i could use the reverb and dely that the Kemper got, but untill new uppdates for dely and reverb, i have to use my G-Force to get my tone and feel!. wish i could use only the Kemper!
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The G-Force has DEEP editing parameters. If you really need that kind of control, you will likely want to keep using it. Current products tend to not have that kind of user interface.
I had a G-Force for a long time , switched to a G-System when they were introduced, the Kemper's reverb and delay have different/fewer parameters, but the musical result is not inferior to these older TC devices.
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