I just don't get it.
http://www.thegearpage.net/board/showthread.php?t=1342589
If you have a point you'd like to make to the Kemper team then why not
make it on this forum instead of TGP, why the threat of I'm thinking of
getting rid of it and getting the 'other' box unless you give me an
editor?...lame!
The Kemper management team, support team, sales team,
moderators, are the most efficient helpful bunch of people I've ever
dealt with...they can help you, the members of TGP can't, the members of TGP don't care, the Kemper team do.
You're registered here, why not make use of your free membership?
Back on topic.
The Kemper is an amp, it's designed to produce great amp tones and FX, it's the most innovative digital amp invention EVER...everyone agrees, it sounds incredible.
Surely, if you can't currently manage your Profiles in some sort of way that allows you to enjoy the experience of actually playing the Kemper, then it's not the Kempers fault, it's your fault.
How long would it take you to audition 50 patches using the Line 6 editor, and how long would it take you to audition 50 Profiles on the Kemper...I reckon I'll do it quicker using the Kemper, and in the last 13 years I've had every Pod and Editor.
Whether you're using another 'box' or the Kemper, you have to download the patches/Profiles.
20 seconds to get the 50 Profiles onto the Kemper using the USB, hit the "Last Imported" folder.
Your choice as to how much time you spend auditioning each Profile...the problem with the Kemper is, it sounds so good that an 'audition' sometimes ends in one hour of playing the particular Profile...not the Kempers fault, your fault...you're supposed to be 'auditioning', remember?
Delete or save to favourites, or save to a folder on your PC (you'll have to do the same thing with an Editor).
How many "patches" can you save on the 'other' boxes ...1000 on the Kemper with a variety of different ways to call them up, and 625 in Performance Mode.
OK, so that's one side of the discussion.
The other side, YES, we all would love an Editor.
But, would the current lack of an Editor be that important to you as a guitarist seeking killer tone that you'd get rid of it, or not buy it?
C'mon, what's more important, the tone it produces or an Editor, does the lack of an Editor prevent you from playing live or recording?
Fire away!