From what Iv’e experienced, it’s best to get my sound (tone/eq) setup in my personal wedge monitor first, then try to get the pa speaker mains(crowd speaker) to sound as close as possible to my personal monitor via Kemper output eq/etc.
This way when I tweak a rig at home, I won’t have to worry about the crowd hearing something very different to what I hear coming at me from my personal monitor. Like many of us, I don’t own or have access or time to tweak the pa speakers.
So isn’t the “speaker imprint” function of the Kemper Kone throwing the eq balance off between what we hear on stage and what the crowd hears since the speaker imprint only works in monitor out and not main out?
For those that play live and run through the pa, this is why it’s probably best to stay content and work with the sounds you can get with a full range/pro audio pa speaker (yamaha dxr/qsc k series/etc.) as it’s the same style speaker that are used with the pa mains.
I’m not sure why Kemper didn’t include “main out” with the speaker imprint function. I thought this is easy enough stuff in the digital realm?
These are just my observations, let me know your opinions.
Thanx