Please describe the scenario more in detail.
If you cannot enter Looper Mode pressing the LOOPER button of your PROFILER Stage, you have either assigned another function to that button in System Settings (page User Interface 2, sub-page Button Assignments) or that button is defective. In that case please open a support ticket.
Then I would use my smartphone, take a few pictures of the relevant pedal and output eq settings of the Rack and simply reenter those after the restore. That could be done in less than a minute.
Ich verstehe den Kommentar mit den "alle drei Effektslots" nicht!? Du hast doch in jedem Rig vier Effektmodule vor dem Stack und vier weitere dahinter. Also insgesamt acht Effektmodule. Außerdem ... je nachdem, wie man boosten will, gibt es dazu auch Alternativen z. B. Rig Volume zu morphen.
Der Effekt hat eine Option "To Tempo". Man kann also wählen, ob man die Rate in Hz oder in Notenwerten einstellen will. Letztere folgt dem Tempo, welches Du über TAP und MIDI CC#30 triggern kannst.
Und wenn die den Slicer mit unterschiedlichen Raten benötigst, dann kannst Du entweder den Parameter Rate morphen, oder zwischen zwei Slicern umschalten, oder mit TAP das Tempo verändern. Einfach zwischen zwei komplett angepassten Rigs umzuschalten, ist eine einfache Variante.
Lies Dir mal in Das Große Handbuch die Abschnitte zum Tempo und zu den Slicern durch. Da steht alles drin.
Gibt es einen Grund, nicht einen der Slicer-Effekte zu benutzen, die es seit OS 12 in allen PROFILER-Modellen gibt? Ist das nicht naheliegender als den Tuner-Modus dafür zu missbrauchen?
Is there a special reason not to use one of the Sliver effects available since OS 12 in all PROFILER models? Isn't that much more straight forward?
Jagg76 Have your tried the PROFILER's Graphic EQ? The frequencies are close enough to the GE7.
The GE7 is a 7-band graphic eq. The PROFILER offers a 8-band graphic eq, with additional Low and High Cuts, Mix plus Ducking. Are you asking for a reduction of those capabilties?
Auszug aus dem Player Handbuch:
Mit diesen Tastern können Sie ein Rig innerhalb der gerade geladenen Bank aufrufen.
Wenn Sie das zurzeit geladene Rig editieren, z. B. den Gain anheben oder einen Effekt einschalten, ändert sich Farbe des Rig-Tasters von Weiß nach Gelb.
Um das Rig zu speichern, müssen Sie dessen Taster einen Augenblick halten. Die LEDs über den Rig-Tastern beginnen zu blinken. Jetzt können Sie mit den BANK-Taster zu einer beliebigen Bank navigieren. Indem Sie am Zielort kurz den Rig-Taster betätigen, wird das vorher dort gespeicherte Rig mit dem Rig, welches Sie gerade hören, überschrieben.
Check out the Player Upgrades available:
Level II adds all effect types including Studio EQ and Chromatic Pitch. Only Effect Loops are still missing since the Player has no sockets for those.
Level III adds four effect modules. The Editor help line showing the effects stored in the original Rig disappears since you have got them all in the real signal chain.
Bank Load just relates to foot control similar to Performance Load at the larger models.
When you navigate manually, you have BANK and Slot buttons 1-5 at you fingertips.
MIDI program change # 1 (value 0) loads Bank 1 Slot 1 reliably. These MIDI program change adresses are hardcoded in the software and cannot be changed. Bank 10 Slot 3 gets loaded by MIDI program change # 48.
If your Player is either Level I or Level II, don't send MIDI bank selects. Leave both bank select (LSB and MSB) at 0 and just send program changes.
Have you tried this hint from the Main Manual:
This is what the manual says:
This preference determines what happens when another bank is selected via Bank Up/Down foot switches:
· “Slot 1” – automatically loads Slot 1 of selected bank and allows scrolling,
· “Keep Slot” – if the current Slot is 3, Slot 3 of the next selected bank will be loaded automatically and allows scrolling.
It works here as described in the manual. I don't see any Bank Up/Down foot switches in your setup.
In addition, you can restore a PROFILER backup created on a larger PROFILER model. This restore will import all Performances from Performance Mode into the 125 Banks of the Player Level III in one go.
The Transpose senses the original tone at the input selected with the parameter Input Source. Input Sourec is a global setting. If your other pickup is feeding the original note into the Front INPUT, your setup might actually work.
The Transpose algorithm always senses the original guitar tone at the very beginning of the signal chain for optimum results.
That would be a very awkward feature and a surprise bag, if Rigs get shared amongst users. Sometimes it's nicer to keep things simple.
If you need that level of editing control, you could use Rig Manager for example on your smartphone.
You can assign up to four effect modules to each of the virtual Effect Buttons I-IIII.
Out of the box the Player's Foot Switch 2 acts as Effect Button I already. Manage the assignments in Rig Manager's Rig Settings.
These Effect Buttons toggle their assigned effect modules based on their current on/off state. So these modules don't have to be simultaneously on or off. You could for example switch three modules on and one off with one hit of an Effect Button.
Yes, these are the Effect Button I-IIII assignments.
You can clear such assignments as exlained above. Alternatively you can clear those at the last page of Rig Settings at the PROFILER or in Rig Manager.
This is what the Player manual says on its first pages where the panel controls get explained:
You can assign two effect modules to FX 1 and FX 2 respectively per Rig e.g. module A to FX 1 and module DLY to FX 2. The color of the LEDs reflects the assigned effect category, e.g. orange for wah.
The buttons will switch the assigned effect modules on/off and reflect their state accordingly.
Each of the knobs controls the two most prominent parameters of the effect – e.g. Delay Mix and Delay Feedback. Push-dial to control the second parameter.
You can set these effect module assignments in Rig Manager.
So the parameters are fixed per effect type. At the Chorus, the knob controls Rate and Depth.
