Hi Ash,
I tried the Mojo Mojo but found it lacking The " Mojo mojo" I sold it again !!
I think anything used by Paul G. sounds great
(I compared the quality of the sound to my other pedals )
Hi Ash,
I tried the Mojo Mojo but found it lacking The " Mojo mojo" I sold it again !!
I think anything used by Paul G. sounds great
(I compared the quality of the sound to my other pedals )
Sounds Fair my Brother , thanks for letting me know,
yeah i guess i cannot say "Mojo" with out comparison.
Thats the thing , i like it when people demo many pedals to compare[them] not just one.
This is practical ! Thanks man, i guess ill be Mojo Mojo spending on beer beer instead
Ash
Wisely spoken Ash , Have a beer beer for a Great new Year year
(I am a pedal nerd and tried , owned, and traded loooots of them - liked the Dark Matter better than the Mojo mojo but still that one didn't make it either - traded it also....... )
Boss Blues Driver
Klon Centaur Gold
Fulltone OCD
Friedman BE-OD
AnalogMan King Of Tone
We have already some pedals in kpa stock and I think it's time to have a tutorial from the great Thomas Dill how to use them right. I tried them many times and didn't use them, because I can't get a good sound out of it. A gainy profile affect the sound of a stomp badly and in combination with a clean profile the sound very thin imho. So I prefer a profile which is profiled with a pedal in front, like Thomas Dill's rigs with the okko or many of pedal pushed sinmix profiles.
I am shure we do something wrong when using the implemented stomps, because most of the stock fx are very very good.
What's the secret dear kpa team?
We have already some pedals in kpa stock and I think it's time to have a tutorial from the great Thomas Dill how to use them right. I tried them many times and didn't use them, because I can't get a good sound out of it. A gainy profile affect the sound of a stomp badly and in combination with a clean profile the sound very thin imho. So I prefer a profile which is profiled with a pedal in front, like Thomas Dill's rigs with the okko or many of pedal pushed sinmix profiles.
I am shure we do something wrong when using the implemented stomps, because most of the stock fx are very very good.
What's the secret dear kpa team?
I noticed that turning the volume down changes the character of the stomp. The mix knob is also very handy
I noticed that turning the volume down changes the character of the stomp. The mix knob is also very handy
Think you mean the volume of the stomp itself, right? This is true.
Boss Blues Driver
Klon Centaur Gold
Fulltone OCD
Paul Cochrane Timmy
Analogman King Of Tone
Boss Blues Driver
Klon Centaur Gold
Fulltone OCD
Paul Cochrane Timmy
Analogman King Of Tone
if you request the Fulltone OCD include the version desire. There are many different version and they all sound different.
Here is information about this.
Think you mean the volume of the stomp itself, right? This is true.
yeah that's what I mean
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Alrighty then.. after 6 pages here are the results guys. Guess which 5 won?
So if you sum up the characteristics of the first list which Won (the second list has one vote per pedal)
We then have what Don was talking about. I dont know how you sort the even votes so i put them in the wining list.
Winning list (so far)
Klon centaur -19 votes
Fulltone OCD- 13 votes
Boss Blues Driver- 5 votes
Seymour Duncan 805 Overdrive - 3 votes
Timmy- 3 votes
Analogman King of Tone - 3 votes
Boss Hm2- 2 votes
RC Booster- 2 votes
Fuzz Factory -2 votes
Marsahall Govnor - 2 Votes
Blues Driver - 2 Votes
TS808 - 2 votes
Maxon - 2 votes
Marshall bluesbreaker Mk 1 - 2 votes
Okko Diablo - 2 votes
ONE vote for below
"overhauld" TS
Bogner Red
Mojo Mojo
Friedman BE-OD
A 68' Dallas Arbiter NKT-275 Germanium Fuzz
Twin stomp OD Boost
Tim Pierce Overdrive
Strymon Riverside
Strymon Sunset
Seymour Duncan Palladium
John Landgraff Dynamic Overdrive
Klon gold
JHS Morning Glory
Fulltone Fulldrive 2 (non mosfet)
Super Fuzz
Tight Drive
Savage Drive
Maxon VOP9
Od820
Red Llama
Swollen Pickle
Hughes & Kettner Tube Factor
OCD V3
AC Booster
Cornish SS3
Strymon Sunset
MXR Bonamassa FET driver
MXR ‘78 Custom Badass Dist
‘74 MXR Distortion plus
Subdecay Liquid Sunshine
Death By Audio Interstellar Overdriver
Amptweaker Tight Drive
XOTIC BB PREAMP
Chandler tube Driver
DOD Overdrive Preamp 250
Fulltone fat boost
Red llama
BB Preamp
Wampler Euphoria
Chandler tube driver
Digitech 250
Dumbloid
Boss OD-1
DOD-250 (my all-time favorite)
MXR Distortion+
Boss SD-1
A Silicon-Transistor Fuzz based on BC183 Transistors
I see at least three KOT in your "one vote" list.
Also someS TimmyS, bluesbreakerS, bluesdriverS....
Well spotted!!, that makes the Timmy/Analogman King of Tone in the top 5!!
have edited
Ash
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
It's already there. It's called Metal DS.
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
Boss MT-2 Metal Zone
I`d like
Klon Centaur (for slight dirt)
Okko Diablo (for smooth crunch)
an "overhauld" TS for a great lead tone (I don't hear the KPA's TS reacting like the original)
Hermida Zendrive (as an alternative to the TS)
A "Bogner Red" for distortion
I own all of them and formerly (in my tube-amp-era) got all kind of drive-sounds out of them (except Metal-sounds) I ever needed
There's also an EQ in the Kemper inspired or based on the Metal Zone EQ.
So you can load the Metal DS followed by the The Metal Equalizer and you have the complete metal zone .
Never thought of that! What are some examples of how to best use this combo?
Never thought of that! What are some examples of how to best use this combo?
It would be to put the Metal DS followed by the The MEtal equalizer both in the Pre Stack position and you end up with Metal Zone