Fantastic work, mate.
And no, I cannot tell what is what. It all sounded great. I couldn't even begin to guess.
However, what is the target (reference) tube amp that is being used in this blind test...that is, make and model?
I sure hope you get a whole bunch of members who are willing to take a shot at this.
Very difficult to tell as the playing changes quite a bit.
My guess..
Section 3 is amp. Section 5 is Kemper.
Section 4 amp, section 7 KPA
6 is KPA.
Wont bother with the beginning -- the playing is just too different from the rest to make a comparison.
Anyway, wrong or right, the differences are negligible by any means.
But this does not mean much imho in the context of the the discussion in other thread (though yes when it comes to the headline topic).
I'd like to hear SinMix's "guesses" 'cause he said just last week that he can identify the Kemper's "fingerprint" even in a mix context in recordings. This, without the luxury of "randomly" spliced real / Kemper sections - just straight-up recordings.
I've no reason to doubt him 'cause of his experience, so I'd be very interested to see his take on this.
Oh SinBro'... you gonna take a shot at it, man?
EDIT:
I sure hope you get a whole bunch of members who are willing to take a shot at this.
I'm dumb but not that stupid. I wouldn't have a hope in Hell, John. 
Ideally, people should PM their answers instaed of writing it in this thread 
IMHO a blind test should include chords, good dynamics, notes ringing, ... You can make a blind test with BIAS and the KPA playing just three power chords and many people will not be able to tell which one is the KPA. That doesn't mean that the BIAS is as good as the KPA.
1,2,4 Kemper, but section 1 is hard to tell.
The sample below is broken down into 7 sections. Can you identify which section is the KPA and which is the real amp?
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Stay Metal!
Stay Metal!
I know the video too, but he spliced it together in a way that makes it much harder to guess. Can you still identify the real amp and profile? @sinmix (btw I love you; you sent me some free profiles long time ago)
Not easy - true, becouse its still not higain tone for Me, on crunch clean even ampsims sounds very close but...
1,2 - real amp
3,4 - kemper
5,6 - real
7 - kemper
Stay Metal!
I'm hearing a difference in how much room there's in the sound. Could be placebo.
My answers:
1 kpa
2 amp
3 kpa
4 amp
5 kpa
6 amp
7 amp
Not easy - true, becouse its still not higain tone for Me, on crunch clean even ampsims sounds very close but...
1,2 - real amp
3,4 - kemper
5,6 - real
7 - kemperStay Metal!
jup i agree
jup i agree
Let's see hahahah...I think some eq was used on kemper track or real amp track in this example, becouse all parts sounds with same midrange level, anyway more palmmutes can helps more 
Can post my example and even if someone dont hear a diff that does not mean they do not exist 
Stay Metal!
I like blind tests. It's always fun!
But best thing about this blind test is, I know one thing for sure again, even before results are revealed: Kemper is definitely good enough for me!!
I like blind tests. It's always fun!
But best thing about this blind test is, I know one thing for sure again, even before results are revealed: Kemper is definitely good enough for me!!
Yes its good, For Me all Ampsims with good IR also sounds good in the mix. Live use is another story for sure. TBH with killer song well played all sounds Good - Look at Ola
Stay Metal!
Let's see
No EQ, however I did level match the samples because there was a definite discrepancy between them.
ok @Tritium I'll play. Happy?!
Its all Kemper. No real amp was used
ok @Tritium I'll play. Happy?!
Its all Kemper. No real amp was used
Can be also, from 0'11 on plamutes i hear this specfic Kemper sound. But Yes can be that all is Kemper - for sure not a real amp only
Stay Metal!
This is quite a biased clip to be doing a comparison with. The passage is scooped drop tuned and more importantly it is too busy. The KPA masks well in busy passages because most of what you are hearing is attack or mutes. If you really want to test out the KPA properly use standard tuning and a mid-normalized EQ'ed spectrum (i.e. Marshall profile that is not scooped out) that has both chords and single notes which at times are allowed to ring a bit instead of constantly palm muting or picking all the way through.
Also, do we even know for a fact what processing may have been done to these clips - were these recorded by a forum member or instead something randomly pulled off the web?
Sonic
