Well, like I said, it's not a make-or-break feature, but it does mean the SPDIF is essentially useless for most of what I do. Reamping entirely in the digital realm would have been excellent.
Thanks for the info.
I think it's very fortunate that Kemper chose 44.1k over the 48k that Fractal chose for the Axe Fx. I could never use the digital connection on my Axe, since 99% of studio sessions are done in 44.1k. At least over here