More effects for Bass plz

I’d be happy with just being able to change the main eq knobs to reflect actual bass frequencies. For a bass, the Mid knob is actually the treble knob, and the treble and prescience freqs are useless. So an overall Bass mode with proper eq, and more bass stuff would make the kemper a real useful tool.

What effects do you want for bass that is not the same as guitar?

A selection of really good compressors for bass would be cool. I love the TC SpectraComp multiband circuit. Set and forget just for bass. And I’m finding it difficult to get a great chorus for my bass.

Quote from SynterX

A selection of really good compressors for bass would be cool. I love the TC SpectraComp multiband circuit. Set and forget just for bass. And I’m finding it difficult to get a great chorus for my bass.

To be fair, a selection of really good compressors isn’t just a bass thing. Many guitarists would also love to see the compressor options expanded to include more flexibility , regular attack, and decay control and different compressor circuits modes like LA2A and 1176 etc.

Quote from SynterX

And I’m finding it difficult to get a great chorus for my bass.

the only bass-specific addition to a chorus is a crossover that keeps the low frequencies dry and only effects what is above frequency-wise.
this has always been implemented (see below)

Crossover

Each of the chorus algorithms feature the “Crossover” parameter. By raising the value of “Crossover” you can protect the lower frequencies from being influenced by the chorus modulation, thus giving the sound a stable bottom end. This feature was inspired by specialized bass chorus units; we found, however, that this type of crossover control is not merely an advantage for bass sounds - it is suitable for shaping any sound.

Quote from DonPetersen

the only bass-specific addition to a chorus is a crossover that keeps the low frequencies dry and only effects what is above frequency-wise.
this has always been implemented (see below)

Crossover

Each of the chorus algorithms feature the “Crossover” parameter. By raising the value of “Crossover” you can protect the lower frequencies from being influenced by the chorus modulation, thus giving the sound a stable bottom end. This feature was inspired by specialized bass chorus units; we found, however, that this type of crossover control is not merely an advantage for bass sounds - it is suitable for shaping any sound.

I know their is a chorus, I just can’t get one for bass that I’m happy with.

I have an easy solution for the bass eq. Add a soft button checkbox that says “map studio eq gain knobs to Stack EQ”

a bit too many words, but you get the idea. That’s all I’d need. Just the gain knobs become the studio eq gains. So you set the Q and freq. for Bass, Mid 1, mid 2, and Treble in the Studio Eq section, check the box, and now the 4 knobs will take over those Gain controls. A perfect, killer solution even for guitarists who want quick access to eq they choose.

Honestly it’s the one thing I don’t understand with the Kemper. Those 4 eq knobs aren’t adjustable at all really. It’s all digital, and the main benefit to that is adjusting the EQ beyond just gain at a preset fixed frequency that isn’t even shown at all.

given the complex delay and reverb effects as well as Ringmodulation, Bitchrushing, Envelope-Filters even a Frequency-shifter I don't see why such tones wouldn't be available on the PROFILER.

The main thing is the Parallel Path feature:
Slot A Compressor
Slot B Studio EQ
to shape your low end

and the rest of the path C, D, STACK, X, MOD, DLY, REV to add (highpassed) distortion and effects.