They previously also said that more than 50 rigs in mobile rig manager for the player but after a while they did add it. And agreed, especially for the player this is really, really useful
Yes. That is a fair point. However, I think they said that it wasn’t actually possible to add the tuner for some reason whereas the rig count was a feature decision only. I might be wrong but I seem to remember them saying it couldn’t be done.
You could simpy make two different ouput presets and switch between them depending on whether you are playing guitar or bass.
I get about 7 ms with an aggregate, which is pretty good. But, assuming you’re monitoring direct, and you should be, any latency doesn’t matter.
Wow. Thats impressive. Can’t get below 29ms rtl and if I but it up to 128 buffer it goes over 40ms.
This has been asked for over and over again with no success so far 🤞
It’s not just about accuracy of input but workflow in general. I try to avoid reaching for the mouse as much as possible relying on keyboard shortcuts wherever possible. The ability to Tab between c0ntrols and type values would be a great improvement for me.
I finally got reamping working. I was able to get it working with USB Audio first, but honestly, USB Audio is a major pain in the arse. If all you want to use it for is to record with your Kemper and listen to everything in your DAW, it works fine. But for anyone (like me) who uses an interface for things like recording and auditioning MIDI from other devices, playback on your studio monitors, recording vocals, etc., it's nothing but a headache because I've got to keep unplugging things, switching audio devices on my laptop and in my DAW, etc..
That’s my experience too. The USB audio is a nice thing to have for the occasions where you might want to record or playback something and you don’t have access to an interface. Other than that a dedicated interface wins hands down.
That's really just a Windows issue. On the Mac you simply use an aggregate and you get the best of both: you can use your audio interface for other inputs and you get the convenience of the usb recording and reamping...no mucking with SPDIF cables or settings, and you can easily record stereo plus a DI.
The problem with an aggregate device is that the latency defaults to the slowest device. In my case that makes the RTL around 30ms with the aggregate device at 64 samples buffer vs 4ms with my Motu on its own. I can still record stereo plus analog DI simultaneously.
I'm in Canada, sent my toaster to USA for repair out of warranty. No problems, would do it again. Not exactly the same circumstance, but still international...
[Deleted]. Sorry -no politics here pls.
I’m not sure what you are asking.
The HS8S is a sub woofer to extend the range of smaller monitors like the HS8. Did you mean to compare the HS8 and DXR12? I don’t have direct experience comparing them although a friend has the HS8 in his studio. They are wildly different beasts. One is a PA speaker while the other is a studio monitor. Intended for different purposes. If you want the best quality sound the HS8 is probably the better option but if you want loud the DXR will be better.
Kemper have already said this won’t be done.
There is also the direct mix in the amp block which blends the clean guitar signal with the amp tone for clarity and attack. Another option is to use the parallel path to provide a clean signal that bypasses the amp and cabinet altogether.
I suppose I could put a pure boost in the first slot with a negative volume level
That wouldn’t actually help in your scenario as the red input LED is flashing because the INPUT signal is high. The Pure Boost would be after the input signal has been through the AC conversion so if it was strong enough to be clipping the clipping would still be there even though the Pure Boost would be lowering the volume.
Try turning down Clean Sense a little. However, CK has said many times over the years that the input is very forgiving and clips very softly so it would be unusual for the signal to clip harshly even if the input if flashing red. You can test that yourself with your own settings to see if there is any audible signal distortion or if it is just the LED colour that is alerting you to a potentially high level.
I’m not saying anything here about whether a global input trim is a good or bad idea just trying to help with your workaround in the meantime.
In respoto the OP initial question, i have compared the Kemper tuner to various other tuners I have and it every bit as accurate as any of them. However, it is also very fast in its response time. I think some of the others might employ more smoothing to make them respond slower. It may be that the initial Transients are moving a little with the Evertune before returning to pitch. Just a thought. Could be miles off.
Thanks for the help guys, I couldn’t get anything to work so ended up putting my Scarlett back in and find it easier to keep the computer audio separate from the guitar output to the Kab. Works for me 👍
That’s my preferred choice too. I much prefer using a dedicated interface.
Monitor Out is not powered. I believe he needs Main Out and Poweramp Out to be different. He has an unpowered Kab.
Monitor Out and Speaker Out (power amp out) share the same signal path.
I think the OP is asking for the specific frequency bands available on the GE7. It’s not something I’ve ever used so I don’t carebut I get the request. I personally would love to see a GEQ that replicates the frequencies and Q of the Mesa Boogie 5 band. The GEq is a huge -art of the Mesa Mark Series sound which I grew up on. Liquid profiling allows us to capture the preamp tonestack and gain structure of Mark Series amps but not the GEQ down stream of that. A few different variations of GEQ would be nice or a customisable GEQ.
Yes
In the System menu select Wah>Vulume. In this scenario the pedal will control Volume UNLESS their is a Wah effect active in the Rig. If there is a Wah active the pedal will control that instead.
I think (but don’t know for sure) that the real issue is that the Kemper hardware relies on a specific chip and coding for that chip. Porting that to generic PC/Mac hardware is probably a “non trivial” task.
Yes. I would love this too.
You can run the XLR and TS Main Outputs at the same time so you could send the XLR to FOH and TS to your IEM which would leave the Monitor Out free for your guitar cab on stage.
If you already have the Mission pedal go ahead and use it. If you don’t I wouldn’t buy one as there are much better expression pedals available for a fraction of the cost.
