Yes. Make an Output Preset. You can do this on the KPA itself or just drag the Output Block to Presets in Rig Manager.
Posts by Wheresthedug
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Profiling isn’t “overwriting’ the reference amp. The reference amp is the physical amp you are profiling. Neither is it “overwriting” the Kemper Amp Rig that automatically loaded where you switched to profiling mode.It is creating a new profile with the same name and all the same tags and placing this in the edit buffer instead of the original one.
This actually makes sense as a process and goes back to the original design of the head as a self contained unit without an editor. At that time tags were entered manually using the scroll wheel on the KPA to select characters one at a time. Although you could get faster with practice it was still a painfully slow process. In order to make this easier for users the process allows you to load a Rig with similar meta data and pre populate all the tag fields. This meant that users only needed to change a few specific tags using the scroll wheel on the KPA.Once a profile has been made the original Rig (Kemper Amp0 amp is no longer of any relevance as you are now trying to compare the quality of the profile against the real amp and any tweaks you make to the rig should affect the new profile not the original Rig. Therefore the profile replaces the original Rig in the edit buffer.
The only flaw in the process which drives me crazy is the fact the Kemper allows multiple Rigs to have the same name. Therefore, you now have two DIFFERENT profiles with the name of the original Rig unless you manually renamed the new profile when saving. You can tell them apart by looking at the date/time stamp on each but it would be much better if Kemper used the standard computer methodology of not allowing identical names and simply added a unique identifier to the new rig ( e.g. Reference Rig_1) -
Burkhard thanks for clarifying.
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Pitch to morph is global but only relevant if the rig actually includes an active pitch effect otherwise its a mor-h pedal.
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Sorry, I missed the part about you getting interference from you "wireless system" and just read it as general interference from external sources. I run a Shure wireless IEM but no wireless guitar pack.
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It sounds like you are trying to Morph the Amp Gain control. Since liquid profiles were launched you need to morph the Generic Gain as this range can be greater than the Amp Gain
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Furthermore I was thinking that the possibility to simply connect it with the cable would limit the risk of interference. I noticed a lot o problem with my wireless system.
I haven’t noticed any interference but I do often struggle to get the Player to connect to my phone or iPad at gigs or rehearsals so a cable connection as a fallback would be a very welcome feature for me.
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+1
This has been asked for several times over the years and always gets some level of support from users so hopefully its already on the development roadmap and just hasn’t reached the top of the to do list yet 🤞🤞🤞🙏🙏🙏 -
Should work for all rigs. Have you saved any changes to the rig?
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Another possible reason could be that the output source in the output menu iset to something other than Master Stereo or Master Mono. Fot example if set to Stack none of the post amp section FX will be heard.
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Glad to hear you got it fixed.
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OK but one of things that I find slightly irritating is that plugging in the USB cable often makes the computer change the audio interface to Kemper automatically and override the interface already set. I was wondering if this was happening in your case without you noticing. Like you, I almost never use the Kemper for USB audio and always have analog connto my MOTU interface.
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Yes, this is clearly a bug which is Rig specific but isn’t linked to the Amp Model (I.E it isn’t the SLO model that is the problem.I have reported this a couple of times but it is still there. In my case I only have the issue with some MattFig Dumble clean rigs and some other rigs like GB Fan D’Lux etc. The rigs wil the problems in my case have different tone stacks including Fan DLux Nrm, Fan Bass Nrm, Mars TM45 etc.
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The distortion of the basic sound when connected via USB sounds to me as though you are getting the USB audio through your computer as well as the analog audio via your interface. The USB audio sends a very strong signal and may be clipping something else in your Ableton session.
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Just checked the SWR Manual it covers the inputs nicely on pages 2 and 3.
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As yoda said it is definitely possible however the results are usually not great. The reason is that volume pedals us a logarithmic (audio taper) pot while expression pedals use a linear taper pot. The effect of using an audio taper pot is that the effect of pedal movement is bunched up at one end pf the travel. With very little effect after that. Depending on the actual pot you might get a rapid change in the sound in the first 25 - 30% of the travel then almost no change in sound for the remaining 70 - 75% of the travel. You can control effects with this but it makes fine adjustments difficult and unpredictable. If you are OK with this a volume pedal with a Y cable is a viable solution. If you want a smoother change over the full pedal travel an expression pedal is worth the money. You don’t need t0 spend a lot of money of something like the Mission pedals. A cheap Zoom or Moog etc does just fine.
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As BayouTexan said, what impedance are your headphones. Higher impedance headphones require a suitable amp to drive them. However, the Kemper headphone output is rated to handle up to 600ohm headphones. Unless you have something higher than that you should still be getting a good strong signal.
What kind of headphones are you using? Do they have their own volume control?