Posts by Swatman

So I got the scenes in the second row where I wanted them, however when i press scene changes on the mastermind, the scenes on my axe FX do not change, but when i click my presets for my kemper, those do change.

I use a Kemper Profiler as my main amp, and recently picked up an RJM Mastermind GT16 and an AXE FX II XL ti ryb the Axe in the effects loop of the Kemper as an effects processor because I prefer the Axe's effects. I want to run a setup to my RJM Mastermind GT16 to process all of that. I want to set it up based on how my Kemper is setup:

Song 1:

Kemper: Clean

Axe FX Preset 0 Scene 1

Kemper: Crunch

Axe FX Preset 0 Scene 2

Kemper: Rhythm

Axe FX Preset 0 Scene 3

Kemper: Solo

Axe FX Preset 0 Scene 4

Song 2:

Kemper: Clean

Axe FX Preset 1 Scene 1

Kemper: Crunch

Axe FX Preset 1 Scene 2

Kemper: Rhythm

Axe FX Preset 1 Scene 3

Kemper: Solo

Axe FX Preset 1 Scene 4

etc

I am brand new to MIDI so I am not sure what I am doing. I am currently doing: RJM Mastermind MIDI out ------ rjm Phantom Power Adapter---- Midi out and in to kemper out and in.... Then Kemper thru ----- Axe FX II XL midi in.

Is this the proper setup for the midi out and in to Axe FX? So far I have been able to set the kemper amp to the RJM and have been able to setup my "song 1, Song 2, etc", but I want it setup so that the Axe FX scenes are on the second row of screens when my bottom row shows "clean, crunch, rhythm, solo". I am not sure if the RJM is reading the AXE FX correctly because I am not sure if I have the wiring setup correctly for it. Any help would be amazing.

Is it possible to switch cabs and amps now from the rig manager itself or are we still stuck doing it on our Kempers?

Yes I have the ME EP1-KP. And yes I have it assigned to x in settings. So I simply turn off the TS assignment then?

maybe I am not wording this correctly?

There are some songs where I want a stronger sounding wah (tom morello style) so I use it in the X slot on my Kemper. However there is sometimes I want a more subtle wah and would like it to be on the front end (A,B,C or D stomp box), however it seems that my mission engineering pedal only controls whatever is in the X slot (I can change it to control different slots, but it seems that it is locked to that spot once I put that in).

Is there a way to move my wah around from pre to post or post to pre but the pedal also follows where it goes?

Quote from djayart

HI

I'm Jason the New Rig Manager

XD

Any update on the rig editor software?

I have the Kemper Profiler Rack Unit as well as the Kemper Profiler Remote and the Mission Engineering Expression Pedal. I have a Line 6 Echo Pro rack unit and am wondering how to go about connecting it to the kemper? Id like to set it up so that I can switch to different delay presets when i use different presets playing live. I already have the lines in and out connected to it and can hear the delay just fine, but I want the ability to switch different delay presets for different songs.

Hello. I have the Kemper Profiler Rack Unit as well as the Kemper Profiler Remote and the Mission Engineering Expression Pedal. I am having a Line 6 Echo Pro being delivered to me and am wondering what is the setup I could use to ensure that my Line 6 works with my Kemper Products? How would I go about connecting it to my Kemper?

Quote from lightbox

If you go for the SansAmp RBI to cover bass, I would consider to add a compressor/limiter/gate like the affordable yet great dbx 166XL.

My 500 series rack in my 10u has a golden age projects pre-573, a golden age projects eq-573 and a Radial Engineering Komit compressor

Quote from Chris Duncan

This is only half rack, but I had $4000 worth of gear take a hit because of a power surge. Typical UPS units aren't really designed to do much about that, but this particular unit is designed precisely for this purpose.

https://www.amazon.com/gp/product/B00…e?ie=UTF8&psc=1

The guys that went four paws up on me were a digital mixer, an SSD and a digital rack EQ unit, i.e. all computer oriented stuff. Given the fact that the Kemper fits that description, I now have one of these in front of it as well.

Of course, I'll never know if it works, I'll only know if it doesn't. However, after getting bitten like that taking precautions seemed like a good idea, however belated.

I have this one:

https://www.amazon.com/gp/product/B00…e?ie=UTF8&psc=1

Quote from Kempermaniac

Maybe a patchbay to bring all the KPA connections from the back to the front. This adds convenience especially for live.

I only have one cable that is coming out of the front and its my instrument cable. The rest of the cables (SPDIF, Line cable to my FRFR, Network cable for remote) are all in the back.

I have a 10u rack unit because I wanted some recording gear in with my kemper. I currently have:

Kemper rack unit (3u)

Furhman power conditioner (1u)

Wireless system (1u)

focusrite 18i20 (1u)

500 Series rack mount (1u)

I plan on getting 1 more 500 series rack mount. (another 1u)

that would leave me with 2 more spots for either a 2u piece of equipment or 2x 1u pieces of equipment. I was thinking of adding a Tech 21 SansAmp RBI Rackmount Bass Preamp for when I play bass or when our bassist plays at practices. Good idea? What else should I add or am i missing anything?

Quote from paults

I prefer using a 1/4 to 1/4 TS connection to the DXR, because the Line Input does not have the background hiss like the MIC input.

i have noticed a hiss!. How do you think this is?

https://www.amazon.com/Monoprice-Prem…_89%3AMonoprice

Hello,

I use a Yamaha DXR 12 when I play live, and have always used XLR to XLR, but I have read recently that a TRS coming out of the Kemper into the XLR of the DXR 12 is the better option. Is this true? What is the reason behind this?

Quote from Locrain

It depends I guess. Generally I will leave it on. I have quite a few "Artist"/Producer" packs by a certain company, and many of those profiles are absolutely mix-ready to my ears. The only post-EQ I usually run is whatever I have on the main bus for mastering purposes, I tend to leave the tones from the KPA alone. That said, many profiles are not mix-ready and need post-EQ.
It's a good question, but I've generally had the best luck leaving the profile as the profiler intended, as much as I can. Of course, that could just be a reflection of my ability, of lack thereof, to get the sound I want by tweaking things myself...one of the many reasons I love the KPA.

pre or post stack?

I was wondering if people turn off their kemper EQ while recording and just use a post recording EQ or if you use your pre-post stack kemper EQ and then do another EQ once it is recorded?

Quote from Locrain

Would love to know this as well. I was thinking maybe the BE-100 profiles in the STL Crummet pack. Kind dry but still saturated, aggressive without being too heavy on the gain. But that seems to be a good description, to my ears, to many of the BE-100 profiles out there. There's a lot of really good stuff in that Crumett pack though. Probably my favorite STL pack, and I think I have most of them. I think if you like Muse, you'd like the pack. And I love Muse!

has he used a BE-100? I know for a few albums now he has used the Diezel VH4

Quote from Eltzejupp

That’s really strange. Mine works like a charm and think every kpa has the same hardware, so why do some freeze and some not? Are you connected to rm when the kpa freezes? Would be good to know exactly what the issue was.

I was connected to the rm when it happened.