I only use them for onstage monitoring on gigs.
….and at rehearsal.
This is literally what they’re made for.
I only use them for onstage monitoring on gigs.
….and at rehearsal.
This is literally what they’re made for.
….and at rehearsal.
This is literally what they’re made for.
I don't even take mine to rehearsals anymore. I just plug straight into the PA in the room as it's always facing towards me unlike a gig where it's in front of me so I need something on stage. I would actually be perfectly happy with just my own IEM but the Kabinet provides an on stage monitor for the rest of the band as well as a little air movement for me.
I don't even take mine to rehearsals anymore. I just plug straight into the PA in the room as it's always facing towards me unlike a gig where it's in front of me so I need something on stage. I would actually be perfectly happy with just my own IEM but the Kabinet provides an on stage monitor for the rest of the band as well as a little air movement for me.
I have a Kabinet that stays at home. It only comes out for gigs. I found a killer deal on two used Kones and stuck one in an old cabinet that lives at the rehearsal space.
If I didn’t have that, I would’t drag the Kab around.
Even though I sent mine back they're undoubtedly some of the best FRFR options around. I'm curious about the Fender FR10s and 12s but I've heard they have a nasty hiss at the noise floor and the Kab was extremely quiet.
And obviously the Kabinet is pretty