This! I think that‘s usually the issue. Problem is that in my experience the studio monitors are much closer the PA/FOH sound than what comes out of the Kabinet (kinda self evident since you get the sound of mic‘ed cab). So I don‘t see much reason to „tune“ the profiles to the Kabinet, unless you use it as your main sound source on stage/rehearsal.
I dont do much tweaking to my HS8 monitors. I tend to leave profiles as-is in that respect. Having shuffled through more than a hundred quality commercial profiles, the average profile sounds multiples better through my monitors vs the Kab, even in FRFR mode. To my ears anyway. A good profile is created with the intention of sounding like an amp would on a recording, or otherwise hitting the listeners ears directly in a live situation. So I’ve come to expect great amp tones at my desk…just puzzled as to why I dont get seem to get that same sound quality in FRFR mode…