Hello there
Does somebody got a profile close to the sound from the song crying in the rain from white snake?
If so could you please share...
Hello there
Does somebody got a profile close to the sound from the song crying in the rain from white snake?
If so could you please share...
Hello there
Does somebody got a profile close to the sound from the song crying in the rain from white snake?
If so could you please share...
Which version? I'm guessing the higher gain version from the self titled?
Im in a Whitesnake covers band, so yes, I do. What I did was use Ruppert's studio 15 through a 4x15 cab and tweaked it delay wise to my own taste, works great. Also really like And44's 5150 VH profile for this sorta stuff but that's a paid for profile unlike Ruppert's.
Im in a Whitesnake covers band, so yes, I do. What I did was use Ruppert's studio 15 through a 4x15 cab and tweaked it delay wise to my own taste, works great. Also really like And44's 5150 VH profile for this sorta stuff but that's a paid for profile unlike Ruppert's.
Hello do you got some patches for me?
I got the andy profiles to..
Best regards..
Which version? I'm guessing the higher gain version from the self titled?
Which version? I'm guessing the higher gain version from the self titled?
Yes the higher gain..
Do you got a profile for me?
Best regards..
Well the amp used for that album was a Mesa Boogie Mark III Coliseum Simulclass. So no, those amps are pretty rare. (It's a 180W MarkIII).
But I think you could pretty far by starting with a good Mark III profile and make a tone matched cab for it. You'll need to find a part on the album that has nothing but guitars first though.
Then record the same part with the KPA with the cab turned off, tone match with Izotope Ozone
, create an impulse response file from that eq curve and change the impulse into a kpa cab with the CabMaker software.
Well the amp used for that album was a Mesa Boogie Mark III Coliseum Simulclass. So no, those amps are pretty rare. (It's a 180W MarkIII).
But I think you could pretty far by starting with a good Mark III profile and make a tone matched cab for it. You'll need to find a part on the album that has nothing but guitars first though.
Then record the same part with the KPA with the cab turned off, tone match with Izotope Ozone
, create an impulse response file from that eq curve and change the impulse into a kpa cab with the CabMaker software.
Thx for your reply..
A pitty i dont have the stuff to do that
Best regards
This should get you in the ball park.
That MK3 profile nails it! Thanks
Sean