Posts by Hoki Toki

New "Band of Gypsys"

Cheers !

R.I.P. Ragne Wahlquist "Heavy Load"

Also search "rockman clean" in rig exchange ....

Maybe .....

Rig Exchange | Kemper Amps

I like #3

You also need the "right" guitar with the "right" pickups ( out of phase ? )

Cheers !

Warranty ? If not, open it up and take a look (if you're handy) and

see if you can find some text / number on the encoder ...

Then do a search on the web, maybe here :

Lycka till

Record the sound and then listen to the recording without playing the guitar ...

Same result ???

Cheers !

I hear a lot of Genesis "Squonk" there ...

Cheers !

Quote from thegman

The secret is to place ads (and show her) but at a price no one will bite off on...

The "secret" is to live with someone who does not mind if you have 20 or 30 guitars .....

( Or 7 git. amps, 12 synthesizers and a big Roland TD-30 drum kit + a small P.A. )

Cheers !

Watch out for pickpockets at supermarkets ....

Nice one

How about adding a soft Prophet-5 pad after a few minutes?

Cheers !

Quote from OneEng1

It depends.

Kemper was originally designed to capture and reproduce a mic'ed tube amp with a cab. The idea being that this is what the audience hears through the PA.

The hole in this logic was that this sound isn't what the guitar player was hearing on stage (amp in the room). As a result, Kemper (and others) made solutions that would provide the guitar player with the "amp in the room" sound on-stage while delivering a different FOH result (that sounded good through the PA).

IMO the real issue is that the "amp in the room" sound is ONLY important for the guitar player. The mic'ed amp sound is what is spread to the audience through the PA.

So ..... if you play in a band that relies on the sound from the amps on stage to fill the venue, than something like the Kemper Kabinet that duplicates the "amp in the room" sound is pretty important.

If you mic your cab and the PA provides the sound for the FOH (most more successful bands do this) then the local "amp in the room" sound is just for the guitar player.

If you just play for your own enjoyment, again, the Kabinet route is a very good one.

Over the years, I have grown to love the sound of the mic'ed tube amp sound and the "amp-in-the-room" is now piercing and unpleasant in comparison.

Note: Bands that rely on "Amp-in-the-room" stage volume also have an issue with balance of sound in the venue since these cabs are very directional and blast one side of the stage while the other side the guitar volume is very weak in the audience. The answer to the problem is NOT to add more cabs by the way

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Agree, and every* recorded sound you ever heard, made with electric guitars and amps, is the sound of a mic'ed cab ....

* Not DI / line ....

Cheers !

One or two XLR cables?

Phase issue?

"Main Stereo out" or "Main Mono Out" ?

Channels pan Left and Right on Mixer console?

Cheers !

482 x 132 x 1,5 mm

Cheers !

I guess selling price is more about the financial situation for the seller than the market

Just my 8 cent ... ( inflation... )

Cheers !

Reminds me a little bit of Uriah Heep's "Rain"...

Well done chap

Cheers !

Should be 8-string .....

Has it a built in compressor ?

Cheers !

Yeah .... After the AMP section ....... *Hand smacking another face*

Cheers !

Quote from waraba

Killer underground stuff from the 70's - line up is fantastic

Tom Scott: Saxes, Woodwinds, Moog
Larry Nash: Electric Piano, Organ, ARP Synthesizer
Robben Ford: Guitars
Max Bennett: Bass
John Guerin: Drums
Joni Mitchel: Vocal on "Love Poem".

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Epic ! Sounds a lot like early Lee Ritenour albums

And with "Epic" I also mean the label

Cheers !