Hey All,
Selling my entire rig. All in full working order as you would expect.
Included is:
Unpowered Kemper (toaster)
Customer built live in flight case with drawer
Kemper remote plus 2 moog expression pedals (mounted in a pedal board)
All leads and cables
It’s on a well known auction site but feel free to ping me a message with questions or interest.
Cheers
Mat
I don't mind sharing that mine cost £250 I think including postage.
http://www.flightcasewarehouse.co.uk
I know they are in the UK. But get in touch with these guys. They will literally build exactly what you want to your own specifications.
I took delivery of my custom build case (see attachments) and couldn't be happier. Easy for them to build something for rack version. Really nice guys too and as far as price..... very reasonable indeed.
Hope that helps?
Mat
This is a flight case for a Kemper toaster non powered.
This is a link to the actual case: https://www.swanflight.com/guitarist-flig…flightcase.html
It has a few cosmetic scuffs and marks but is in perfect working order. This is a nice snug fit so ideal for travelling, and as per the photos I leave it in the bottom on stage. Pictures attached!
Kemper NOT included!!
£70 - Collection southampton, UK. Or postage would be £15 I would think. Payment via pay pal or cash on collection.
@V8guitar can you tell me the exact name of the profile with the talk box on RE?
See the picture attachment below.
On the main kemper website go to community, rig exchange and put "talk box" in to the search bar.
Cheers
@mat2806 do you use a real talk box or do you simulate it with the KPA fx?
I use Paults as V8 mentioned 
Just for your information from my point of view. I play 2 bands, total of approximately 90 songs between the 2 that we add and remove depending on the night of course.
I have 3 "regular" performances. Clean / Light Crunch / Crunch / Overdrive / Lead
Each of these performances have subtle differences in available stomp effects. PLUS, I use the morph on all as well to add to the flexibillity to each rig in the performance.
I then have around 8 - 10 separate performances dedicated to specific things / Songs. Some examples:
Living on a prayer - Talk box plus, plus step down transpose (so our singer cant cope with the key change lol)
Half step down
Full Step down
Acoustic
Guns & Roses (half step down with Slash amps ect... just because!! lol)
Guitar 2 - I play in a different tuning for a couple of songs which requires specific sounds and effects
I find that while not "perfect", it pretty much services both bands and gets me 95% of the way there, while still being really simple.
Works for me.
@"V8guitar" - Are you suggesting I just load all the different sets back to back (so the performance list is super long with duplicates), and manage them by starting at a certain bank? Eg:
- the 2hr setlist (28 songs) starts at Perfromance #1 thru #28,
- the 1hr setlist (14 songs) starts at Performance #29 thru #42
- the 45 min setlist (10 songs) starts at Performance #43 thru #53,
- etc, etc..
This is exactly what I do. The difference for me is I am in 2 bands, 2 sets lists ect.
So I would advise doing one long list of songs + duplicates. This way there is no need to restore and reload a specific performance.... the only hassle would be pressing bank up 43 times for a short set 
There is not right or wrong, weird or not weird. If it sounds good to you and your are happy with your tone then go with it.
It is often a weakness in us guitarists that means we have to search for a "better" way, when sometimes what we have is just perfect.
I'm a DXR10 user here. I chose the 10 for no other reason than it is a convenient size and weight. Personally I'm really pleased with it and to me gives a good and accurate sound. Inherently the 10 will not give you as much bass as a 12 so bear that in mind depending on the music you play, but for me its not a problem.
It's worth mentioning I use it purely as a monitor as my KPA goes straight to the desk. I normally have it wedged either directly in front of me, or to the side of me depending on how much space we have. Volume wise its loud.... really loud and I cant imagine it struggling in any live environment.
I have a toaster, but have a couple of friends that have rack versions. Mine is normally on the floor , half in its flight case, close to the desk so out of the way and "off stage". My rack user friends employ the same placement and have no problems.
That all said, any of the others you mentioned are highly regarded.... just consider whether a 10 or 12 inch speaker will suit your needs better.
Good luck!
@sambrox thank you! So for a solo boost and least amount of latency how would you achieve this? Just go to rig B in slot B with boosted volume on the amp? Then for a clean tone Slot C rig C with a clean based amp? Sorry for the Nwb questions, looking to buying a Kemper either tomorrow or next week and want to get a feel for what I am getting into to.
Thanks again!
Don
If you use the remote, while there is a "delay" technically between switching effects on and off, and switching between rigs in a performance, but my experience is that it it feels instant with no noticeable lag or drop in sound.
Regarding your question about solo boost. With the remote you could just assign a clean boost / overdrive ect to an effect slot...... one press on an off. You can use "morph" which enables you to vary perameters on an existing rig (volume boost, gain boost and mid hump to get your solo to cut as an example), or you could create a new "rig" specifically for a completely separate "solo tone".
The flexability and speed to KPA delivers, I'm sure you wont be disapointed with any of the many options you have at your disposal.
If you connect your in ears to the head phone out on the KPA (or the monitor out at the back for that matter), you will only hear your guitar via your in ears.
Assuming you have a mixing desk, you could use the monitor outputs. Connect your monitor out(s) on the desk to the Sennheiser via XLR, then use the monitor out mix on the desk to get your desired mix of all of the elements that go out of front of house to your in ears (vocals / bass / your guitar /other guitar for example).
Personally I use the second option, however everything in my band goes through front of house except drums. I just balance my in ear volume so I can hear the ambiance of the drums on stage. That said we also have 5 mics on stage which naturally picks up some drums which is useful.
Hope that makes sense and is of use!
Using the search function top right of the page will gleam lots of results as it's been asked many times!
There is a general opinion in Kemper land that that the Yamaha DXR10 is one of the best out there. I chose this after recommendations on this forum and it certainly didn't disappoint. If it broke (which it won't) I would not shop around, and immediately buy another.
Good luck!
Make sure its on browse mode.
General mid boosting is the answer for cutting in a mix.
Something I have learnt is that when I first when out live and in isolation, I LOVED my guitar tone, but when I took on stage it was completely lost.
Now, in isolation my guitar sound is not as pleasing to my ear, but once sat in a band mix sounds epic.
Understanding the sonic properties of a band, and then where you need to sit within the band is the biggest (and hardest) lesson I have learnt. Once you have it though, you'll never have cutting / tonal / dissatisfaction!
Good Luck!
Here is my simple little set up:
Kemper hiding under the keyboard
Moog EP3 expression pedal which I use for wah and talk box sweep depending on the patch
Yamaha FC7 - this I use to adjust my monitor volume only, I like it as it has a big sweep so very controllable
The remote and expression pedals are hard mounted onto an internal board within the case
DX10
Smooth Hound wireless
[Blocked Image: http://i67.tinypic.com/34hthqr.jpg]
[Blocked Image: http://i64.tinypic.com/2ihxv80.jpg]
This is for morphing (Or at least that's what I use it for).
So, click the stomp pedal so the upper of the 2 LEDS is active. Change amp perimeters, for example a mid boost and gain boost for a solo for example. Or you could also add an effect as well. Click save on the kemper.
Now when you click the button for the second time, it will morph to the new perimeters! Cick again and it goes back to your stock sound.
I'm rubbish at explaining but hope that makes sense!
Reducing the DB on the wireless should help, experiment by reducing the DB, have a listen and look and make sure you are happy.
also worth checking out the Kemper input tutorial:
Kemper Profiler Tutorial - Input Section - english
Hope that helps.
The remote is still under warrenty as it was bought the same time as the KPA.
Make me an offer mate, feel free to PM
