Tried that and it never seems to work well in practice. Its not a big deal, just something you get used to
TBH, I don’t really want to hear them anyway, all that clapping on the one 😀
Tried that and it never seems to work well in practice. Its not a big deal, just something you get used to
TBH, I don’t really want to hear them anyway, all that clapping on the one 😀
A quick follow up, first gig with them last night and a great result. Really organic and grainy and the dirty sounds clean up great with a little volume knob adjustment.
Are you guys saying your in ear monitors are wired to the backline some where? Or wired to a belt pack that is then wireless to a router? I can't imagine dragging around a wire like headphones in a studio.
Ours plug into the outputs of a stage box and are fed by stereo auxiliaries.
I just bought this and am delighted. So much so that I'm replacing my gigging performance after 10 years
As DonPetersen says, the advantage of in ears is having the sound you’re used to and being able to control it. We do this by having aux sends from the mixer to a headphone amp and then having tablets to control individual Aux. You’d need at least a headphone amp for your setup there and probably some very long cables. Everyone would get the same mix
Same here. Save periodically, swap performances to ‘undo’ changes.
But - doesn’t the Undo function already cover this?
I don't know, probably, but I've been doing it this way forever so never tried ![]()
I normally just switch to a different performance and back again. It won’t keep the changes unless you store them
The main outputs of the stage are quite hot for mic inputs on your PA if you’re using the XLR sockets on your main outs. I have the -12db box ticked and another -6db on the main outs level. We have an X32 and with a little adjustment on the desk this sounds fine. If these settings produce clipping on your desk take a little more off the main outs level on the stage.
Uooo Ohh ''Leaving On a Player'' (cit)
Well played 👏
If you want to change parameters in the same profile, morph is the man. No pun intended
This is a tune I came to know through Larry Carlton and I've listened to it many, many times. Due to the fact that your backing is so different than his makes you escape a comparison.
So just based on your track, that's a really cool version and that sound certainly fits and you make it and the tune justice.
Cheers,
Mats N
Wow, high praise indeed. Thanks man.
Very nicely done Morph !
Thank you sir 🙏🏻
Excited to hear the fruits of your endeavours, and thanks man.
I had something like this but it was when I had the FX loop plugged in. Support advice was to init locals on the last page of the system menu. It sorted mine out and maybe worth a go.
I had a strange one where my Mk ii Stage kept freezing when I used FX loop 1 (send 1 and return one), I had to remove the cable to get it back. I contacted support and they advised init Globals on page one of the System menu. This worked and it all functions as normal now. It's a bit niche but just in case you run into it.
Display MoreI’ve just come home from a gig using my new Kemper MK 2 Head, loaded with the “New Standard” MK 2 profiles…
It was horrible.
Most of the audience walked out, the sound engineer said he would never work with me again. My wife me made me sleep on the couch for a few days and the kids couldn’t look at me.
After much speculation, I was told:
"Dude, you avoided arguing with people on the forums, you denied null tests. You put your on stage performance, your interaction with band members, the enjoyment of the audience before the approval of anonymous internet practitioners and their frequency tests…"
YOUR SOUND WILL FOREVER SUCK
And then I woke up and realized that it was all a bad dream 😉
Well played 👏
I have tried Thomas Dill’s Fan Twin Surf, Fan S’champ Clean and Tone Junkie’s Purple plexi and they are all excellent, airy and very responsive, this is on a Mkll Stage. I have an Apollo Twin and a pair of Adam monitors. I’m intrigued by Null tests and comparison videos. Firstly, any valve amp recorded with the same settings and a minute gap between recording would fail a null test with itself and also because in many comparison videos I watch, the Kemper tone doesn’t match what I hear myself. One issue I had with the new OS is that my Stage didn’t shut down after it had been on for a while and I had to remove the cable.
I was really enjoying this Mk 2 Dill profile of a champ and used it to play over a backing track of Put It Where You Want It. The profile is airy, articulate and extremely responsive and it’s on the rig exchange The playing however is warts and all 😀
I feel it incumbent upon me to echo these sentiments
Hi guys,
There are new Profiling 2.0 rigs on Rig Exchange - some clean tones for the weekend with a 70s Silverface Twin Reverb. Prepared with some effects for different sounds & styles..
DR - Fan Twins Surf - 2.0 | DR - Fan Twins Soul - 2.0 | DR - Fan Twins 80s - 2.0
Have fun!
I am indeed having fun. A very happy surfy hour there. Very reactive and sensitive. Many thanks