Sorry I didn’t really articulate well.
I meant using an Ox box or similar Class D amp/attenuator to power an unpowered traditional cabinet to retain the feel and sound of an amplifier in a room, using kemper direct profiles with internal cabinets off.
I haven’t tried PA in rehearsal because:
1) when I’m in a PA I am afraid I am covering up the vocalists to compete for volume with the drummer and another guitarist who is using a physical amp.
If you run PA how do you get around this issues? I’m a young guy and I am learning these systems and general practical music/life skills. I’m also trying not to step on any toes
I also recognize the issue I’m describing may not be my own and could be the malpractice of others around me not playing at an appropriate volume. Or my own self playing too loudly over singers. Overall it’s very balanced, and I am learning. I’m not someone to intentionally play over musicians and I do my best to play with musical sense, so maybe it’s an EQ issue.
I am basically looking to get the warm amp-in-room boomy sound that the physical amps are getting in an effort to keep with them and not stick out. I am obviously aware that kemper is not designed with this in mind and is meant to purely replicate miked amp into cab signal chains, or a direct profile to later be fed into a physical amp using a Powered Kemper unit. I’m looking for a workaround to get a similar experience that you’d find on a powered kemper, but by using a Kemper Stage.
Ultimately, i will get the best results out of the kemper running direct into the PA always. But just trying to see if there’s a better way.