Posts by deadman42

Very nice, thanks for sharing. That crowd definitely had fun that night! Very cool, that is what counts in the end!

Guitars sound nice as far as I can hear it from the clip - would not expect anything else with your setup

All star band... brutal virtuosity... but still very tasty

Wow! What an asset! Thank you very much for sharing - and thank you as well for the very proper naming and tagging of the profiles. Very good!

Vielen Dank für die schöne Beschreibung und die Tipps & Hinweise. Klingt top! Viel Spaß mit "dem Gerät"

Mal im Output Menu gecheckt, dass da auch ein Master-Signal anliegt am entsprechenden Ausgang, der zum Pult geht? Master left/mono/stereo und nicht etwa ein Wet-Signal. Hast du einen Delay-Effekt in der Signalkette, so dass ggf. das Originalsignal fehlt und nur das verzögerte Richtung Pult geht?

Ansonsten: Wie hast du das verkabelt? XLR auf XLR oder anders?

Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do

Lots of options to get what you want - or better what your bandmates want.

• "4 cable method" (please google or view tutorials on Youtube) let's you include the Marshall's preamp into the signal chain with the Kemper as an FX
• If that specific sound is really key: Create profiles of your Marshall amp (or preamp only) and use them with the (pure) Kemper

Personally I doubt that all that effort is worth. What is the difference in sound which the bandmates (really) recognize and want to have adjusted? Can you potentially use different profiles that come closer to the ideal sound? If it is for the looks only to have gear on stage then okay, I get that. There is enough funny pictures of the "showing off with empty 4x12 cabs on stage" around.

Quote from where is christophe

Yes, FX send with the cabinet section switched off.

Also you’ll have to switch the power amp of the Kemper off.

True, that should work. But why? Why use the power amp of the JCM when there is a powered Kemper?

Connect the cab to the powered Kemper's loudspeaker out. Done. Indeed you need to should switch of the cab section in the Kemper then as well. JCM can sit on the cab without any wires then... and save energy

Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do

Thanks for sharing your profiles, highly appreciated. I will try those later today and am really curious as I have been playing Boogie's for a long time and indeed in the profile world are not so much into them any more. Maybe too much great other stuff

Quote from BadBadger

Some people are a bit sniffy about using SM57s in the studio as they are relatively cheap stage mics, but I often find you can get great guitar cab sounds from them.

It delivers an iconic sound to which our ears are used to sometimes. Nothing bad about that... I have great results with SM57s in all areas incl. sometimes vocals that need some special grit and rawness

Wir haben dich schon richtig verstanden, keine Sorge...

"Cable Direct" ist keine Funktion sondern ein Rig, was du im RigExchange findest unter diesem Namen.

Ohne zwei verschiedene Rigs wirst du das nicht erreichen können, da die Stack-Sektion nicht auf die Taster der Remote gemappt werden kann. Wenn du nur den Stack schalten würdest, wäre die Cab-Sektion im Übrigen auch aus - das willst du glaube ich nicht, da du ja nur den Preamp vom PCL nutzen möchtest.

Kannst du den Rest vom Anwendungsfall etwas näher beschreiben? Was spricht gegen zwei (oder sinnvollerweise sogar noch mehr) Rigs? Was für Rigs benutzt du grundsätzlich, wie organisierst du das? Browser oder Performance-Modus?

Pragmatische Lösung: Nimm ein Profil mit einem Stack, der "absolut nichts macht". Der ist dann neutral in deinem Signalweg und behindert den PCL nicht. Du kannst aber trotzdem die Controls im Stack benutzen falls das hilfreich ist.

Für einen solchen Stack wird immer wieder empfohlen einfach ein Patch-Kabel zu profilen. Ich hab sowas mangels Bedarf nicht da aber vielleicht kann da jemand aus der Community aushelfen...

Lovely track Joe, I very much like the first two minutes... reminds me a lot of my teenage years admiring Frankie Goes To Hollywood and their often very concise bass sounds and lines (probably Trevor Horn''s work, he does that phantastic!). My girlfriend just asked when the track started with just the kicks "what is that?" - I said "it will become music soon...". And I was right... good laugh here. Thanks Joe!

P90s in neck position... always deliver! I like that pickup combination a lot. Rest looks cool as well, nice top

Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do

Thanks for sharing your story and questions. I haven't done many profiles on my own so it took me rather longer to get things done. I guess with some routine things would speed up but I don't have much need for more. Sold all my tube stuff and cabs over the years because the Kemper took over. Typical live mic setup worked well for me with a Shure SM57 and a Sennheiser E906 (through a good quality Channel Strip) on my trusty old Marshall 4x12 cab from 1970. Still that was loud... nothing I would do at home

Experiment with your stuff, there is many roads leading to good results. And much is a matter of taste!

For the stage I use cabs with Kemper Kones with my powered Kemper Rack. Additionally monitor wedges in FRFR mode in front of myself. Works like a charm! Many here use InEar monitoring. That works super well with Kemper tones...

Thanks for correction Alan

Quote from Wheresthedug

I believe the only difference between the original series and the + version was the addition of a second volume knob to balance the level between the clean and lead channels.

True, otherwise Clean and Lead channel were super hard to balance. The plus version though comes with the small 5 band equalizer on top. If I am not mistaken the non-plus did not have that. And I always found that the 22 version sounded rounder than the 50, maybe the EL84 vs. 6L6s made that...

There are 9 profiles labelled "50 Cal" in Michael Britt's "Blackjack" pack. Not sure though if he profiled the combo version. I think he used his typical 212 cabs with CL80s.

I owned that amp since the early 90s and used it a lot on stage, what a loud beast. Sold it some years ago to a collector. Don't miss the sound though