Posts by AndySchick

And a swell

Have you checked your spam folder for the pw reset mail?

Hi,

I‘d use rig volume, as it wont eat up an fx block. And regarding you balancing your sounds via phones - the volume needed for your guitar also depends on the song, the arrangement and the mix. And at the end of the day it also comes down to personal taste.

I use velcro. Does the job quite well and adds at least a little bit of insulation from mechanical shock.

We have bought a set of 3 dual-mono EW 300 iem Systems. Together with a combiner (and 3/3 EW dx mic / instrument systems).
My main complaint is the poor stereo separation. Due to budget constraints we have to use mono, but the bleed from the other channel is pretty massive.

Keine Ahnung, damit habe ich noch nicht gespielt. Würde mal versuchen es vor den Kemper zu packen, wenn es dich im bypass nicht stört. Ansonsten kannst du es natürlich per effect loop einbinden und den variabel positionieren, wie du lustig bist. Verlierst natürlich einen effect Block.

Quote from DonPetersen

we switched from Shure bodypacks to Sennheiser and the difference was stunning

Actually, we are quite underwhelmed from our Sennheiser system. Pretty noisy and the stereo separation is a joke.

Wah und exp Pedale gehen jeweils mit stereo Klinke in die Pedaleingänge der Remote. Funktion und Position in der Signalkette kannst du dann im Kemper festlegen.

I have played a combination of guitar and Monitor cable for a long time, but moved to wireless a year ago. I accept the lower sound quality for the freedom when moving around. But our keyboarder and our drummer still go wired.

I‘ve used the the Fisher Amps iem beltpack, which Sounds really good. Their iem Stick is much noisier. But nothing compared to the Sennheiser EW System we are using now. Mich More Noise and you hear the companding. Especially in the low range.
My bottom line - if you don’t move a Lot, go wired. And good custom buds Are important.

But be aware that a wired iem sounds way better than a wireless.

The JB is great, got one in my squier CV 50‘s. Amazing guitar after some additional tweaks.

One company doing this is Prusa. They sell 3d printers. You can upgrade every Printer to the prensent model. If that makes sense is your consideration.

I think that combining two or more remotes via a (PoE) switch is possible.

Quote from Ruefus

I’m not a huge Line6 fan… but that dates back to well before Helix. I’m so out of date.

I have a friend using an old (and beat up) HD500. Missing cover…..not babied at all. Dirty….etc.

Hasn’t failed him yet and I can’t imagine the new stuff to be any less rugged despite the colors and gee-whiz looks.

The poor quality of the foot switches of my HD500, which failed twice during gig, led me to buy a Kemper. I should say a big thank you to L6 for this issue. Never regretted to go the Kemper route.

The good thing about mk2 and profiling 2.0 is, that used mk1 units become really cheap, but still sound as good as before. I‘m considering to buy some as a spare and convenience units.

ToH2002: sehr gut beschrieben. Wir gehören auch zu der Fraktion eigenes Pult und Techniker mit Tablet im Publikum.

Schon der Wahnsinn, was so ein Digi Pult heute an Möglichkeiten eröffnet, wenn man das mal mit der analogen Zeit vergleicht…

Merry Christmas, everyone!

Da gibt es mehrere Möglichkeiten. Deiner Fragestellung entnehme ich, dass ihr kein eigenes FOH Pult habt? Wenn dem so ist, wäre zu überlegen zusätzlich zum in ear auch ein digitales Pult anzuschaffen. Dann kann jeder von euch seinen eigenen Monitormix machen.

Been thinking about a concert guitar (classical guitar? don’t know the englisch term) lately. Have ordered a 1/2 one made in the german Federal Republic a few years ago and refurbished it. Fun to play, now I‘d Like to have a 4/4. Can you guys recommend sth, that does not cost thousands of €, but ist still ok?

Thanks and sorry for highjacking your thread.