Practice has nothing to do with how tone sits in the mix at a show.
Seen plenty of virtuosos carve it up but their tone isn't worth a damn.
Posts by griff7628
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Great input guys. Thank you
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If your TONE is sounding thin, boost the mids. If it's the sound in general, then as others have mentioned, you could try playing with the widener and also add a fair amount of delay with a high mix. I'm the only guitarist in my band and you'd be surprised how high you really need to turn up the delay mix in order for it to cut through enough out front. Even if you think you've got enough in your in-ears (if you use those), you'll likely need more because there is even more noise to compete with when the sound is coming out of a PA system for live shows. Dial the delay's feedback back so that it's only a note or two that is clearly sounding (this may need to be adjusted based on the specific song and sound you're going for).
Thanks man great advice
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The Delay Widener will also help thicken your solos. I prefer that over the Double-Tracker.
Do I need stereo inputs to desk for this?
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A bit of added delay. Note choices that are in (or hint at) the chord.
I’m partial to the micro pitch for chorus, but a little modulation can help.
I also use the ducking parameter on most things. Not a lot (+.1 or .2).
This is great, thanks man
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Hey all. Love my Kemper, it does everything I need it to. I'm the only guitarist in our band so when I play solos here and there there's no backing chords and it can sound a bit thin and trebley. I'm hoping for some tips on getting those solos to sound fuller when they come in. Surely you pros out there have some tricks for this..
A friend of mine who has an analog setup has an octave pedal that comes on when he solos that helps fill the sound out a bit. The mix isn't that high, just enough to notice it a bit.
Thanks in advance!
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Ive been playing a lot of funk lately so following this thread. I also have the same problem
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It is up to the two companies and possibly a court to decide if it is an actionable infringement... This is a negotiation or possibly a legal matter.
Yeah, but its speculation. What proof does he have? CK could have used a completely different method. Cliff has always been very sour towards any competition and it rubs off on his customers too.
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Man, Cliff Chase is an angry little man..
My response..
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Very clever, and great news!
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Oh well. Thanks guys
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I'm not near it at the moment. But typically at a gig I will have it in Performance mode, remote plugged into the Kemper
Hi there - are you in Performance mode or Browse mode and is your Kemper plugged into a computer?
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I've tried to find this in the manual but had no luck. My remote used to do this but now it doesn't for some reason, maybe it's rig specific.
If I have My 5 footswitches set up with different patches and effects and let's say on my clean patch I want to leave Tremolo on for the whole song, how do I make it so when I switch between the clean patch and another one, the Tremolo stays on when I go back to it?
At the moment I have to keep reactivating it every time I switch back to the clean.
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I made new KPA profiles of the Tonex and they are awesome.
So you profiled the ToneX profiles?
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A fellow Kiwi! Welcome to the forum!
Oooh! What part of our land?
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how does it feel under the fingers?
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Hi and welcome brother form across the ditch
Thanks brother! Man how good is Aussies national hero, Alexander Volkanovski! Love that guy
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Thanks guys
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Marty McFly said he was gonna drop them off sometime next week
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Thanks for the kind words Deadman! Yes! I do plan to profile my amp. I'm waiting on some Celestion T75s from 1985 to show up before I do that, just so I can get the best tone possible.
