Do your sounds match the ones in the video? If not, check out the video on how to dial in profiles to your guitar from Tone Junkie.
What video are you referring to?
Do your sounds match the ones in the video? If not, check out the video on how to dial in profiles to your guitar from Tone Junkie.
What video are you referring to?
Got to agree here. Mikko is the man
Hey outoftune, I really dig your tunes. Is there any place on the web where we can hear more of your work?
I just set up email notifications for this forum, since I seem to be missing a lot of communication.
I was going to release three new songs end of January. But then again, this has been the plan since January ‘17
Please let me know when you have the JCM800 profiles in the works - really looking forward to these
Here's another test using the two marshall profiles. For some reason the don't seem to sustain as long as the recto profiles, but sound awesome none the less
LesPaul w/Evertune Bridge > Seymour Duncan jb sh 4
In my experience the pickup is the most important part of the chain prior to the KPA.
I usually eq the DI heavily going into the KPA, to get rid of a lot of the fizz, so I don't have to eq too much in the DAW, but I didn't feel that was necessary here. Post amp eq I added a little more lower mids/bass, but nothing dramatically.
I would really love to hear the JCM 800 balanced along the same lines as the recto or the marshall tonally. That's just right up my alley
Here's a quick reamp of a track I am working on
Being a huge recto fanboy and I believe I own all relevant commercial ones, these are by far the best profiles for that 1994 pop punk sound. Thanks so much for these. Really made my day ?
Haven’t used them in a mix yet, but will report back when I do. Please let us know if you do any other amps besides the recto and the Marshall
For ease of use i would reconmend recording the guitar with the cab turned off in the Kemper it use a direct profile. Then use any IR „player“ like NadIR and use that to browse impulses
I could only offer a direct comparison between the kemper and the 610b. Run a splitter first and capture both signals. Don‘t own a dedicated DI yet. Anyone interested?
Bought the wade and feldman bundles. You get one or two useful profiles out of it, but thats about it. The STL stuff always seems to have something harsh in the upper mids. Not really worth the money if you ask me, which is sad because i love the producers that they feature
I‘d be really interested in the long answer
Care to elaborate?
Thanks
Hi guys,
pretty much asking myself what the title implies:
Is there any benefit to using something like an avalon DI or something similar instead of the kemper's imput to record DIs for reamping?
My test recording DI so far:
Kemper input > SPDIF> RME Fireface > Cubase > ReAmp >>> sounds like it is supposed to
RME Fireface Instrument input > Cubase > ReAmp >>> sounds pretty similar to kemper input when level matched
UA 610B > RME Fireface > Cubase > ReAmp >>> "warmer" would be putting it extremely positive - lacking tons of clarity to be honest
Reamping is always:
Cubase > SPDIF > Kemper > SPDIF > Cubase
What are your experiences. Found a decent Avalon DI on the German "Craigslist" equivalent. Really want to buy it, but not if I end up not using it
Thanks for your thoughts.
Tim
a couple of days ago I asked myself, whether or not I was wasting my time following up on new profile recommendations all the time...
Thanks for this hint. The profiles are AWeSOME
nice demo, thanks.
Whats the snare on the drum track, if you don't mind me asking?
same here. sounds great