I am just starting to experiment with this exact setup. JJ jr. and Kemper 4cm
Posts by Weegie
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have you attempted to mimic the Dunlop Cantrell Wah? The settings floating about don't really sound like it.
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@LiamThompson Ok I'll get them tonight. I have practice tomorrow, so I'll let you know how it goes. Thanks
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Yeah, the amp settings also on the higher gain ones are my live settings that I use with the real amp, so may be a touch dark for some. Once Fletcher–Munson does it's thing when playing loud it sits just right for me. The presence setting I use use on the amp is only 2 out of 10, I could do a few profiles with the presence set a bit higher for more bite and cut when I get time this week?
I'll also do a few crunch and edge of breakup tones with and without a TS9 boosting.I would like to see a bit more bite if you redid some profiles. In a two guitar band, I prefer more top end to cut through. I definitely preferred the 3 tube versions for their clarity.
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not a 1x12, but I'm using a Bogner Alchemist 2x12 cab with great results. It's not much bigger than some oversized 1x12 cabs.
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I made some decals for my Remote. Give me some ideas on what I should change / add / etc.
The main goal is to be able to read from a distance since I'm getting older every day. Also just to jog my memory if necessary.
These are awesome, I'd buy them. Mainly because they are readable. Really like the "notes" section, great idea. Maybe make them magnetic so you could make changes to your I, II, III, IV buttons easily.
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I just started using the remote and its always gray/black and not bright. Yes I can change the contrast on the remote, but I don't see anything I change on the profiler make a difference on the remote. Should I be able to change color and brightness on the remote? On stage its almost unusable to read.
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Dont want to highjack the thread but maybe it would be a good idea to do a similiar "octave-pitch-setting" thread like we have with the wahs and the delays;
There were/still are a lot of great artists out there with their characteristic octave sounds.Just saying..
Done!
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Let's share some setting! The following is my original post. I am struggling to find a good "POG/Fuzz/Octave" sounds used on popular recordings. Maybe it's where I'm placing the FX in order or individual setting, I'm not sure. Let's share ideas and see where this goes.
Think Electric Man.. I can't get the pitch in the Kemper to sound right. I'm looking for suggestions on how you might set this up. Thanks in advance.
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following this thread. it's hard to find low gain/clean marshall profiles
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Ok , new RIG pics ... CLR passive wedge sitting on a quiklok BS625 Dual amp stand with SKB flightcase
Although the wedge doesn't seem to fit wel , I'm sure it wil keep in place !
This would be my backline setup ...
are you using the Alternative Input with the wireless?
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Also wishing the stomps could be switched to use in the lower row. Very difficult to use the top row and I use stomps way more than I switch patches.
Yes! This would be a great option to have. 4 patches is enough to have per song, but I'd really like to have access to 5 FX at a time
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What do you use the mini switch for?
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I just loaded up the Boneger Gold 45 free profile and it is great in a live band mix. There's a Marshall profile in there that is good too. What else is good for a mix of hard rock- modern country in his paid profiles?
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How best to adjust this? Ive seen people say they turn up the Clean until red flickers, others don't do anything. I have my new Kemper and it sounds very flubby, no pick attack and not responsive to rolling down the guitar volume to clean up. I have studio monitors plugged right into the back, output at -20. Just looking for some guidance I've tried a tele and LP, same kind of thing going on.
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What pedalboard is that? Is there room for pedals to go above?