Glad that worked for you. I had 58 on a mic stand tip over into the cap of my EV12L in a 1x12 and the vacuum cleaner popped out the dent and afterwards it was indistinguishable from new condition.
Posts by Antipodes
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Paper dustcaps can be made convex again with the aid of an old school vacuum cleaner. Just use the hose without any attachment and push it onto the middle of the paper cap and the suction will allow you to pull the cap back out to its original shape. You would need to get the fabric cover off the speaker to do it.
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Regarding:
added: Effect Button I-IIII assignments can now be administered in Rig Manager (Rig Settings)
Does that apply to the Player?
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Rig manager no longer compatible with windows
What version of Windows and what RM version are you trying to install?
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true what you say, but it works
Yeah - the ultimate arbiter is the user - if it sounds good, it is good. That's why I said try it. It will not match the original frequency balance like a good studio monitor will but then again, we listen to these things in all kinds of environments with far from perfect acoustics so the end result is often some sort of compromise where we are correcting the top/bottom end to get the sound we need.
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Kone mode is not appropriate for other FRFR products - you could try it. Kone mode compensates for the non-flat frequency response of the Kone driver. Use the normal monitor out signal.
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It can be problematic - for some - to monitor on speakers while recording. Or rather, the direct sound of the pick hitting the strings can skew the perception of the tone, making the recorded tone seem more dull/lifeless. That's why I asked.
But you say you've tried using headphones as well.
Very true. Our auditory perception of any sound is strongly influenced by the part of the sound that arrives first to our ears which will be the pick attack - which is particularly prominent at modest SPL. Enclosed headphones help (to some degree at least) screen out the pick sound which gives the sound a bright attack before the processed sound from the monitors or even the sound from of an amp some meters away arrives at the ear.
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I always use S/PDIF to save an unnecessary D/A conversion.
Preamps on the XLR ins of your interface are often unable to be defeated so you can get some noise there. If you are going out analog, the output volume from the Kemper should be up full (unity gain) and no boost at the interface.
The possibility of a mismatch between stereo signal input and Mono track or panning issues are also something to consider as musicmad pointed out above.
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Just a heads up: B & C links both point to the B profile. Thanks for sharing
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You guys have locks on your shopping carts? I can see that coming to California soon.
Depends on the neighbourhood.
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when can we expect to get these tremolos ?
Apres ski, apparently
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Raise this with Kemper Support - they will get you going again. You may need to remove some of the the residue of the previous install while preverving your database.
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The updates to all the stereo modulation effects are going to be H-U-G-E!
Another excellent NAMM demo from TJ and CK. Looking forward to messing with all of these myself.
The long march through all the effects has been very comprehensive and the quality of the new effects over the last 5 years has been inspiring.
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My understanding from an interview with ckemper is, you take the bright channel and use the bright cap intensity to adjust until it fits.
That makes a lot of sense - the bright channel of an amp has some upper treble bypassing the volume control and going straight on through the audio path unattenuated. So, when the channels are blended as in the jumper situation, you have a mix of a signal without the added treble and the treble boosted signal. Just balancing the level of bright cap signal with pot achieves more or less the same thing. The Kemper solution is a virtual instance of the "pot on the bright cap" idea.
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It's been a long time since...
... I rock-and-rolled
It's been a long time since I did the Stroll
Ooh, let me get it back, let me get it back, let me get it back
mm-baby, where I come from
It's been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Yes, it hasIt's been a long time since the book of love
I can't count the tears of a life with no love
A-carry me back, carry me back, carry me back
mm-baby, where I come from,whoa-whoa, whoa-oh-oh-hoh
Its been a long time, been a long time
Been a long lonely, lonely, lonely, lonely, lonely time
Ah, ah-ah, ah-ah(Thanks a heap for these DG - have appreciated your profiles very much so these will no doubt go into high rotation.)
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Even after the amp section, if you send two channels to the FX loop from the Kemper (eg post stereo delay or modulation) you will find that the stereo field is collapsed to mono when it gets to your FX box.
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Kemper assumes all FX loops are mono.
If you send a loop a stereo signal it sums the two halves of the signal. I hope this is subject to change and have advocated for that change but support clarified some time back that FX loops are mono, even on the stage that has plenty of I/O that could you be used for send and return stereo signals.
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Nice amp - will definitely check this profile out. Thanks for sharing.