OK, I’ve uploaded a few more profiles. These may be the last for my amp as I think
this is about as good as I can achieve with the current setup, unless I come
into a new mic combination and positioning I like better, or maybe a great new
cab with some different speakers.
I’ve revised, re-profiled and uploaded profiles of my
preferred live settings that I use on the real amp. So you’ll find a profile with 3 gain stages,
with and without the zener diode clipping engaged and also a profile each of 4
gain stages with and without the clipping just as I did with the very first
batch. I find these to have a bit more
punch, a better mid-range clarity/note separation than my previous attempts.
There is also a 4 gain stage profile boosted
with typical modern metal TS-9 settings for any modern metal high gain lovers.
I’ve also included profiles of the same settings but clean
boosted with various pedal emulations from my Fractal FX-8.
The pedals are:
Boss SD-1
Ibanez Tube Screamer TS-9
ProCo Rat
Lovepedal Eternity
Xotic BB Pre
BK Bulter Tube Driver (3 Knob Version)
Paul Cochrane Timmy
Settings on the amp were:
Presence: 5
Bass: 6
Mids: 6
Treble: 4
Master: 6
Gain 1: 7
Gain 2: 10
Fat: Off
Resonance: 7
Bold/Spongy Power Amp: 0 (Tight)
Cab: Mesa Boogie 2X12 Horizontal with British V30’s)
Mics: Shure SM57 and Sennheiser MD421 – Just past the cap edge, on axis,
1 inch from grill cloth, I’d say 70/30 split in favour of the SM57.
Enjoy!!
PS: Search for Liam Thompson JMP 2203 and today's date (21st October 2018) and you should find them.