What's a "used pair of Dunkins" supposed to be?
I hate to destroy the joke, but I wonder what your DIY method is.
What's a "used pair of Dunkins" supposed to be?
I hate to destroy the joke, but I wonder what your DIY method is.
What you think about this?
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Nice vid, finally someone kind of adopted my idea and shot a clip for YT.
"Another feature that would be nice is if the merged profiles upon creation were to be tagged by the KAOS so they could be easily identified in Rig Manager as a Merged Profile. That would be far easier than to trust the masses to stick to any logical name convention"
Oh yes, please.
This has been requested countless times, but unfortunately the Kemper staff just doesn't see a need for this - I don't know why.
This sounds like the Pan law stole you 3 or 4,5 dB just because that's how desks and DAWs work.
Samplitude/Sequoia to my knowledge are the only DAWs that basically have no pan law unless you configure them to have one.
With S1/Cubendo/Protools simply pan hard left before you send the guitar DI signal back to the KPA and see what happens.
I think this is a great idea, redo/undo for the refining step would be totally fine as well IMHO
+1
Is the input section really morphable?
Stored Input Presets can't be recalled via MIDI, but the input parameters can actually be controlled via SysEx messages.
So if you have a Midi Controller that's capable of sending custom SysEx strings - it can be done.
I've once made my own Arduino based MIDI switcher for 4 guitar presets, but ever since I've started using a Line 6 Relay G75 wireless system I've just created a different output volume presets there to compensate for my Telecaster.
I have the unpowered rack version, and have it in a rack with a Helix.
What about using the Helix for the second parallel Amp instead of a second Kemper?
You've probably tried it already, so what's your experience?
Tandrin try the additional Compressor for more "soothing" - I know what you're talking 'bout
Hotel California - really not a simple example for a single user scale with that kind of chord progression...
Probably two pitch fx blocks with different scale settings and toggling between both could do the trick.
BTW is it possible to switch/morph between 2 scales?
One could really have fun programming an Eventide H6000 for this task as well.
It feels good to know I'm definitely not alone
I've actually measured the latency of SPDIF versus the KPA Analog outs.
The SPDIF has more latency and always arrives later on my DAW tracks.
I'd say monitor the Analog signal for the feel and record the SPDIF, if you can.
i added the dynaMix 9 switching to my AT-10P using this post
https://www.seymourduncan.com/forum/showthre…-MIX9-switchingif you use a Schaller Megaswitch instead of the Superswitch look here for the pin conversion
https://www.seymourduncan.com/forum/showthre…g-to-megaswitch
Yeah, been there done that.
I did this to my Blade Durango too, using a rotary switch instead of the tone pot. But I'd love to do this to 3 of my Strats invisibly without drilling extra holes or sacrificing the Tone and Mid Boost pots.
I find the AZ line very interesting too, it's a pity they only offer blue on the japanese models, why can't it be candy apple red instead...
The dynaMix9 switching configuration is a masterpiece IMHO, if only this could be done to any standard looking HSS Strat with one of those Free-Way switches. Mmmmhhh
Try a hercules 414B stand or one of their wall mounts - they've proven to be kitten save to me.
Or leave an open guitar case in the room, these seem to have a certain magnetism to the feline troublemakers
Just a thought.... since the Kemper Cab simulation is kind of superior to the Line 6 stuff in my experience, I would strongly recommend to use the powercabs as FRFR exclusively
has anybody recognized the device in this example drawing on the HX stomp page?