Nice idea, I love these little amps in combination with the abilities of the KPA, too.
Thanks for profiling.
Posts by CUBE
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Thank you, fine work!
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Wonderful - thanks a lot!
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Imo the most important feature of the upcoming foot-controller is that it comes SOOOOON!
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I would be glad if there would be a function developed that enables the user to store back an edited rig from the KPA to the RM after it was initially sent from RM to KPA via USB.
Many times I send a rig from the RM to the KPA, do a little tuning and ... - have to store it in the KPA! I would prefer to store this rig back direct to the RM instead of the KPA:
Would be very funny if you could manage to create this feature ...
Thanks in advance -
Yeah, +1 for both ideas, specially for keeping the scrolling position after rig-deleting.
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Yeah, great. I'm a really great fan of Thumas' rigs (as mentioned before in other posts).
You guys made my weekend! -
Great work!
Thanks a lot. -
Very coool!
Thank you! -
Fine - keep on rocking!
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Cool, Man! Like always ...
Thanks a lot! -
Cort Action 5 Deluxe: got similar problems with the KPA-sound, used for direct recording out of the KPA into the mix-console
Ibanez 4 string: no problems, but also no glory by the KPA, same use as above
I take the bass-opportunity only as a nice gift to the GUITAR-Amp-Rigulator! -
Only for studio use: I won't buy the KPA for bass-amp-/cab-simulations only. Imo there are better engines outthere for this purpose (but to a much higher price), or similar-sounding engines to a lower price. The very potential of the KPA is imo it's ability to transport the "smack" of a strat coming out a 2x12" cabinet nearly exactly into your near-/mid-field-monitors and studio-recordings. Far the most bass rigs I played for recordings got ridiculous sounding cab-sims that can't put the bassline in desired position. Perhaps there will be a "Kemper Bass Amp" one day with an improved adaption to the needs of hte low-string-pickers?
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22 months, still happy but in the meantime I know the weaker sides of the toaster, too.
It's still my Nr 1 for recording clean and crunch parts,
for hard'n'heavy recordings I use the Axe-FX only. -
To prevent getting angry you can use a piece of gaffa-tape to cover the part of the display where the author's name is displayed! - Works on comp-screens, too!
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Yeah, I can confirm this feeling. I returned to the use of "real" stomp boxes in front of the KPA to tweak the sound in studio and use the KPA "only" as an amp-/cap-sim. Imo the quality of the built-in stomp-boxes, the reverb (here quality) and the delay (here: functionality) is more than improvable. But all in all I didn't bought the KPA for it's stomp-boxes - and for a quick'n'dirty ride on the axe the stomps do fit.
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Thanks man.
I'm very interested in your Suhr-profiles.