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I have a DXR10. In combination with the KPA which is by far the best sounding at the setup that I have owned in the last 30 years. Incredibly good sounding and when necessary, also extremely loud. Extra terrestrial good
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I have a DXR10. In combination with the KPA which is by far the best sounding at the setup that I have owned in the last 30 years. Incredibly good sounding and when necessary, also extremely loud. Extra terrestrial good
I use very rarely ALL slots - the problem lies rather in the fact that I would have to rearrange all my rigs to generally eg slot A to get free.
Welcome TomR, you will regret your choice in no way! The KPA is the best piece of gear that has come on the market for many years! I'm sure you'll have much fun with it!
Congratulations, paults! Please tell us if you are satisfied after you received the DXR10.
I would find it very handy if there would be a general transpose function in the input section. When I play with bands in different tunings, I could use this. Currently I only have for this purpose the option to lock the transpose function in one place of the 4 stomp boxes. But since I use a lot of different amps and sounds, the stomp boxes are often already occupied and through the use of the locked transpose function, the sounds then changed - for example, if at a sound exactly at the locked place an EQ or a wah is programmed. With an "overall transpose" function this problem could be avoided.
Would anyone else feel such a function as practical?
Well, I guess there are a lot of people that can not afford the Kemper and therefore (have to) buy cheaper products. With a lot of skill you can get also acceptable sounds from these boxes - for years I used a Rocktron Prophesy II, the sound was ok but are compared to the KPA, of course, worlds apart. For beginners or undemanding hobby guitarists, these devices are probably actually an option. We Kemper user are of course extremely spoiled and can´t imagine to use a less good sounding device...
Thank you, Andy! (I've made myself an easter gift)
The last two years I use the Kemper live and always try even during gigs adjust my sound good. I wanted to make sure whether this corresponds under optimal conditions the highest level, I have tried yesterday morning for several hours along with a fellow engineer in his highly professional studio to optimize my sounds.
It is of course a thing of taste, but we were able to optimize only one profile in which we lower the EQ in slot B at 80 HZ for 0.5 db. The rest of the sounds were not really improve, they are already perfect the way they are. (There are Fender Twin Reverb TAF profiles, thank you Andy ) Whatever we also tried to change made the sound worse than before, so we left finally all the settings as they were before. After a few hours, our ears were tired and we gave up.
The KPA provides reference standard quality that is hard to beat.
For several decades I am working as a professional guitar player and play about 200 shows in the year and countless studio sessions. Therefor I used for the last 2 years only the Kemper. The KPA is the best tool that was built for a long time, whether live or in the studio. It is important that you use very good profiles - here in the forum there are a lot of good providers, such as Andy from The Amp Factory, Armin, Sinmix and many more ... With these weapons you can "win every sound technical war". In addition, the Kemper is also gladly seen by the sound engineers, because it is extremely uncomplicated in handling. The Kemper is the best thing you can buy for money to you at the moment.
Hi SanctumSolaris,
your solution is very professional property is approximately the way I imagine it. Unfortunately, I'm too clumsy and have no equipment to me to build the self. Too bad that you live too far away, otherwise I would have let me build from you! No matter what it would have cost ...
Hi Ingolf,
thank you for your tip - I have exactly stand this. This is great and very handy for small gigs when playing without speakers. However, if I want to position my DXR 10 behind me, then that is only partly practical, since then the box no longer under the stand has room. I would prefer something like a rack similar solution. Maybe a forum member here has a more optimal solution than I do.
There was already a thread about this topic but I can not find this.
So I ask again: where do you put down your kpa on stage? I'm used to from conventional amplifiers, I have the amp best on stage behind me. On the photo you can see my poor solution.
http://'']<a href=" <woltlab-metacode-marker data-name="img" data-uuid="642665f2-774c-4f30-a912-d4135f2bcf82" data-source="W2ltZ10=" data-attributes="WyJpbWc1LmZvdG9zLWhvY2hsYWRlbi5uZXRcL3VwbG9hZHNcL3Jha2tzdGFra2x2ZGlqbjJjazYuanBnIl0=" data-use-text="0" /><woltlab-metacode-marker data-uuid="642665f2-774c-4f30-a912-d4135f2bcf82" data-source="Wy9pbWdd" /> '] <woltlab-metacode-marker data-name="img" data-uuid="655a419d-9176-498d-b619-f69a6d46d713" data-source="W2ltZ10=" data-attributes="WyJodHRwOlwvXC9pbWc1LmZvdG9zLWhvY2hsYWRlbi5uZXRcL3VwbG9hZHNcL3Jha2tzdGFra2x2ZGlqbjJjazYuanBnIl0=" data-use-text="0" /><woltlab-metacode-marker data-uuid="655a419d-9176-498d-b619-f69a6d46d713" data-source="Wy9pbWdd" />
This is also not without its dangers, the kemper could fall down. so I was already thinking to mount my DXR 10 in a rack, that I can park the kemper with less fear. It would have to fit into a 7U rack, but these are very hard to get. I have now requested also at this company ( http://www.rakkstakk.com/index.html look at this cool example ) which have extraordinary products and they promised me to design a special solution. I'll keep you up to date.
Nevertheless, it would be interested to know how you solve it.
Wow - this is absolutely cool, congratulations! Great idea and a very professional solution. I wish I could do that - but unfortunately I have two left hands. This is on the fretboard a beneficial, but the diy a disadvantage.
Has anyone of you the Yamaha G-100 (the amp Mike Stern use)?
[Blocked Image: http://www.jazzguitar.be/images/other/yamaha-g-100.jpg]
In RE unfortunately I have not found anything ...
Would be great!
Lokasenna: Thanx for the tip, looks good!
Has anyone of you a Hughes & Kettner Tube 50/100 Tube? Unfortunately, there are no profiles of this amp in the RE and there are no commercially purchasable profile of it! It would be great if someone could profiles this amp! If it should be necessary, I am willing to pay something for it.
PS: I am surprised it is that there are few profiles of Hughes & Kettner, as these amps are very common.
I want to buy a new audio interface to record. The selection on the market is extremely large and so I ask you, which interface you
have
in use. I also want to use reamp technology not only normal recordings. It would be great if it would run even under windows XP!
Thanks for your tips!
I have the same original Yamaha bag. Unfortunately it is true that the bag does not protect
the box
well, especially now in the wet season, the box is at the bottom exposed
to the moisture. My box is unfortunately
already scratched
by the transport at the bottom because it´s not protected. Also in the Tour bus the box is not well protected, since the bottom of the bag is open. I will therefore also buy the Stagg bag and throw the original Yamaha bag away.
If, this: ---> http://www.thomann.de/at/the_box_pro_achat_112_ma.htm
The low frequencies start at the 10 inch box only at 70Hz, which makes for the bass range may be problems. Therefore, the 12 inch box of this series is likely to be more appropriate. Still unbeatable http://www.thomann.de/yamaha_dxr_10.htm
Better save more money and buy something professional? Just my thoughts....