Thanks guys, very glad you like it! 
- Antti
Posts by Antti
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Just wanted to wish you all the best with a song I just finished. The guitar parts are of course recorded with a Kemper. The profile is the lovely Goldfinger from Amp Factory. (Thanks Andy, great work!)
https://soundcloud.com/antti-paranko/…arts-over-again
- Antti
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Hello from Finland!
I believe the problem is that when you adjust the "clock left", no matter what value you have in the "clock right", the tempo changes in both channels. "Clock right" seems to change only the start time of the delay in the right channel.
In order to create "The Edge" -sound, you would have to be able to put for example a quarter note to the "clock left" and dotted eight in the "clock right" (or the other way around), independently.
Now you can't do it because if you dial the "clock left", the delay time changes in both channels. So, basically this is just a ping pong -delay with adjustable start time in right channel.
Regards, Antti
EDIT: removed a couple of extra words
Display More[quote='Maurizio70',index.php?page=Thread&postID=58502#post58502]
Q What will you trying to achieve with a second delay in X or Mod?
A Mainly apply two delays in series, the first one long (more than 300-400 on) and second one short (below 150-200 ms). With this we can create several more possibilities of spatial and stereo effects. Double delays are used a lot in U2 and Pink Floyd song for example.Q Why asking for fixed milliseconds, if you could have rhythm values like 3/16 etc.
What is the exact millisecond setting that you cannot replicate?
A With rhythm value you can cover 90% of the needs for sure, but with independent ms and volumes for left and right you can:
1) use little differences bwtween left and right that have a fantastic spatial effect, for example 495 and 505 ms, or 498 and 502 ms
2) when you use on the right a long delay and on the left a short one, which also have a very good result, it's important have different feedback and volumes to perfectly tweak
3) A real dual delay permit also (using wet 100%) to traslate the right signal from a predefined ms respect to the left one (which is often used in postprocessing duplicating and translating tracks
4) Another appication is to have only the right or the left signal out and the other with a very low volume (this can be useful for playing with another guitarist and having two guitars on separate channel without using the mixer between song and apply the amount of separation in the rig itself)
5) etc etc etcThanks for the attention !
We had the same topic in summer, I remember.
We are planning delay stomps available in the Stomp slots.
Also we are planning a continuous Ratio for the Free Delay and Analog Delay, rather than in steps.
But we haven't given these features too much priority, the reasons for that are also my answer to your suggestions:- The Edge and David Gilmours delay sound are not made by serial delays, but by parallel delays like ours. I have never seen a report of a desirable delay sound made by serial delays.
We have great timing patterns available. I never heard a combination of 5/16 and 3/16 on a record, even though it is superiour to the classic 3/16 setting.- Creating a spatial effect by using a constant delay offset for the left and right side is somewhat attractive, but also risky. It is really not a good advice.
While applicable for live gigs, you should n
