I have the first performance set up kinda clean to dirty and dirtier,
Then each slot is generally a different song. With sometimes a song taking up two or three slots
It's a shame you can't send MIDI program info from the effects buttons
I have the first performance set up kinda clean to dirty and dirtier,
Then each slot is generally a different song. With sometimes a song taking up two or three slots
It's a shame you can't send MIDI program info from the effects buttons
One performance per band. Slot 1 clean with chorus and delay on switches. Slot two fender is crunch. Slot three marshallish crunch with morph boost for solos. Slot 4 full skrech and slot 5 anything special.
I find using 1 performance per song is best for me, to K.I.S.S.
If you don;t mind me asking....why 1 performance per song? You really need 5 slots x2 when you include morph x8 effects for each song? Blimey, how do you manage that?
for example clean can morph to the intro sound of "She Sells Sanctuary"
As I'm in a tribute to The Cult, I'm interested in that one .
One performance per song, with bpm correct match and going from part A, B, C, D into each slot.
Just performing original songs.
Custom intelligent pitch scales are often used.
Using expression to controll EQ to simulate a moving filter, very, very interesting and fun to see people face they listen to it.
Mission (wah/volume) and Moog into expression (delay, pitch, move EQ parameters).
For me it depends on the situation. I have a few themed performances (Main, Police, Pink Floyd, Reggae, etc) that I normally use.
If I'm in an unfamiliar situation I prefer Browse mode with locked effects.
Lots of great suggestions here though.
I have a performance for each guitar, mainly to accommodate to their specific sound.
Usually i have clean on 1, crunch on 2, overdrive on 3, lead/solo on 4 and with the KPA now i have a multi on 5.
Then i add different stomps to each - so in slot I i usually have some booster, then a chorus in II of the clean channel etc. I usually try to keep it simple.
With the multi channel, i start with a clean amp, have one or two distortions and then added tremolo, octavers etc. depending on the set we are going to play.
I really dig the morphing for boost someone suggested, since this is something i use everywhere and would give me an extra slot more. So thanks for that
I really dig the morphing for boost someone suggested, since this is something i use everywhere and would give me an extra slot more. So thanks for that
Not sure if it was me but I have found it a revelation! Also you can add a touch more treble to cut as well ( or anything else you have engaged). You can also add more effect. On my solo sound I morph in extra delay and reverb for more spaced out solos....
Yes, sometimes i have the effect mix on 0% and with morph dial it in since you cannot activate or deactivate a set of stomps with morphing. Its an amazing feature.
Yes, sometimes i have the effect mix on 0% and with morph dial it in since you cannot activate or deactivate a set of stomps with morphing. Its an amazing feature.
Perfect!